Home » Jazz Articles » Album Review » All Time Present: Good Vibrations/No Expectations
All Time Present: Good Vibrations/No Expectations
The overall tone of this effort is fabricated upon spontaneous interaction and spurious invention, whereas percussionists David Gould and Toshi Makihara trigger responses from the moderately amplified sounds of electric guitarist’s Chris Forsyth, Rich Gross and Ethan Sklar. Here, the dual rhythm machine maintains an oscillating foundation underneath fragmented crunch chords, slight injections of electronic feedback, jagged statements, steely edged lines and unlikely themes as the absence of a bassist empowers the band to perpetuate a variegated rhythmic flow. Hence, a loose unrestricted pulse prevails throughout, via free form and unending pastiches of sound, as notions of an untamed beast rummaging through the wild infiltrated this reviewer’s imagination.
Overall, the guitarists utilize their respective artistic savvy, whether employing a slight scrape of a string, subtle EFX or Derek Bailey style chord voicings atop the percussionist’s kaleidoscopic beats. No doubt, Good Vibrations/No Expectations is a suitable title for an outing consisting of arbitrary sounds, curvaceous themes, defiant implementations and atmospheric soundscapes.
Email contact: [email protected]
Track Listing
tracks 1-8
Personnel
Chris Forsyth; electric guitar: Rich Gross; electric guitar: Ethan Sklar; electric guitar: David Gould; drums & percussion: Toshi Makihara; drums & percussion
Album information
Title: Good Vibrations/No Expectations | Year Released: 2001 | Record Label: Evolving Ear
About All Time Present
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






