Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

3

Kendrick Lamar: good kid, m.A.A.d city

Jeff Dayton-Johnson By

Sign in to view read count
Compton rapper Kendrick Lamar's hit album good kid, m.A.A.d city is subtitled "a short film." Lamar's ambition mirrors that of saxophonist Bob Belden, who derided the narrow conceptual vision of too many musicians in a recent All About Jazz interview, saying: "Modeling music along the lines of film narrative ... should be a logical evolution of the jazz composer mindset. Sadly, we happen to be in an era of ... music that does not tell a story other than that of 'hard work becoming a musician in a practice room...'Music can inspire the imagination to create an imaginary world but it has to develop from the conceptual mind."

Indeed, the Belden-led Animation's Transparent Heart (RareNoise, 2012) shares with good kid the same primordial outline: the pilgrim's progress; the young man finding his way and maturity on the mean streets of the big city (New York, in Animation's case, Compton, in Lamar's); and a narrative gambit that goes back at least to Richard Strauss' tone poem, Ein Heldenleben (1898).

Lamar is the latest in a line of protégés of rapper and hip-hop impresario Dr. Dre (a lineage that includes Snoop Dogg and Eminem). The disc is an excellent example of Dre's paradoxical style (provided by Dre and an army of engineers and guest artists): violent tales of hurt declaimed over smooth, slow jams. The extended "Sing About Me, I'm Dying of Thirst," for example, is built attractively upon the bedrock of samples from guitarist Grant Green and soul singer Al Green.

The Kendrick-narrator, in a cinematic way, recounts his brushes with alcohol abuse (the anthemic "Swimming Pools"), errant delinquency ("The Art of Peer Pressure"), girls tragically abused, and murder. Lamar's rapping is ingenious (like lots of rappers) and takes on a variety of personas, including female characters (unlike most rappers).

A highlight of the story in Ein Heldenleben, Transparent Heart and here is the gaining of wisdom. In good kid, this happens during "Real," simultaneously up-tempo and subdued. The narrator realizes that his high living up to this point only seemed to have celebrated a love of life, "but what's love got to do with it if you don't love yourself?"

Wisdom also comes to the narrator's mother and father, whose phone messages to their son are interspersed with the musical numbers. At first, characters in a low-brow sitcom ("Where my Dominos at?"), by the end, the mother encourages her son—about to leave to record an album—to "tell your story to these black and brown kids in Compton."

"Compton," the closer, is filmic, too: the big production-number, akin to the elaborately choreographed dancing in the train station at the end of Danny Boyle's 2008 Slumdog Millionaire. Dre steps forward to rap a few verses about his own rise to fame, and all proclaim allegiance to Compton.

Track Listing: Sherane a.k.a. Master Splinter’s Daughter; Bitch, Don't Kill My Vibe; Backseat Freestyle; The Art of Peer Pressure; Money Trees; Poetic Justice; good kid; m.A.A.d City; Swimming Pools (Drank); Sing About Me, I’m Dying of Thirst; Real; Compton.

Personnel: Kendrick Lamar: rapping, vocals; Dr. Dre: executive producer, rapping, mixing; Anthony "TOPDAWG" Tiffith: executive producer; Derek "MixedByAli" Ali: engineer, mixing; Drake: vocals (6); MC Eiht: vocals (5); Jay Rock: vocals (5); Anna Wise: vocals (11); Camille "Ill Camille" Davis: vocals; Chad Hugo: vocals; JMSN: background vocals; Amari Parnell: hooks and samples singer; Mary Keating: violin; Marlon Williams: guitar, bass guitar; Charly and Margaux: composers, violin, viola; Gabriel Stevenson: piano; many other producers and engineers listed.

Title: good kid, m.A.A.d city | Year Released: 2013 | Record Label: Interscope


Tags

Related Video

comments powered by Disqus

More Articles

Read Makes the Heart to Sing: Jazz Hymns CD/LP/Track Review Makes the Heart to Sing: Jazz Hymns
by Dan Bilawsky
Published: December 16, 2017
Read Song of No Regrets CD/LP/Track Review Song of No Regrets
by Jack Bowers
Published: December 16, 2017
Read Sounding Tears CD/LP/Track Review Sounding Tears
by John Sharpe
Published: December 16, 2017
Read Lighthouse CD/LP/Track Review Lighthouse
by Glenn Astarita
Published: December 16, 2017
Read Kill The Boy CD/LP/Track Review Kill The Boy
by Chris Mosey
Published: December 16, 2017
Read Rain or Shine CD/LP/Track Review Rain or Shine
by Jack Bowers
Published: December 15, 2017
Read "Peninsular" CD/LP/Track Review Peninsular
by Hrayr Attarian
Published: April 16, 2017
Read "The Sound of Surprise: Live at the Side Door" CD/LP/Track Review The Sound of Surprise: Live at the Side Door
by Edward Blanco
Published: February 25, 2017
Read "Day After Day" CD/LP/Track Review Day After Day
by John Eyles
Published: July 21, 2017
Read "Meditations on Freedom" CD/LP/Track Review Meditations on Freedom
by Franz A. Matzner
Published: January 16, 2017
Read "Binary" CD/LP/Track Review Binary
by John Sharpe
Published: January 21, 2017
Read "Alma Matters" CD/LP/Track Review Alma Matters
by Dan Bilawsky
Published: April 10, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!