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Grant Green
Born:
Green was born on June 6, 1931 in St. Louis, Missouri. Hefirst performed in a professional setting at the age of 13.His early influences were Charlie Christian and CharlieParker; however, he played extensive R & B gigs in hishome town and in East Saint Louis, IL while developing hisjazz chops. His first recordings in St. Louis were with tenorsaxophonist Jimmy Forrest for the Delmark label. LouDonaldson discovered green playing in a bar in St. Louis.After touring together with Donaldson, Green arrived in NewYork around 1959-60. In a Down Beat interview fromthe early 60's, Green said "The first thing I learned to playwas boogie-woogie. Then I had to do a lot of rock and roll.It's all blues, anyhow."
Grant Green: The Main Attraction
by Arnaldo DeSouteiro
During his brilliant career as one of the best producers in the music history, Creed Taylor (born in Lynchburg, Virginia, on May 13, 1929) has worked with some of world's greatest guitarists: from Barry Galbraith (1919-1983) and Mundell Lowe, who took part in the Creed Taylor Orchestra albums (Lonelyville, Shock!, Ping Pang Pong) for ABC-Paramount in ...
Iron Blossom Festival 2025: Jazzy Enough?
by Konstantin N. Rega
Iron Blossom Festival Midtown Green Richmond, VA September 20-21, 2025 A quick look at Richmond's relatively new Iron Blossom Festival lineup might give some jazz fans pause. With headliners like Vampire Weekend and The Lumineers, the festival looks to be serving up more indie pop-rock selections for younger audiences to consume. ...
The Messthetics with James Brandon Lewis at the Beachland Tavern
by John Chacona
The Messthetics with James Brandon Lewis Beachland Tavern Cleveland, OH September 12, 2025 Cleveland, Ohio can lay a strong claim as one of the three mother cities, along with London and New York City of punk rock and culture (note: it took an act of will not to use the word ...
Meet Kyle Simpler
by Kyle Simpler
I currently live in: Fort Worth, Texas I joined All About Jazz in: 2002 Why did you decide to contribute to All About Jazz? That's an interesting story. I discovered All About Jazz mostly by accident. During the early 2000s, I worked for a company that published newsletters, and one of my ...
Shuffle Demons: Are You Really Real
by Anastasia Bogomolets
Celebrating four decades of genre-blending jazz, the Shuffle Demons return with Are You Really Real, a studio album that fuses funk, post-bop, theatrical satire and spiritual jazz. Influences ranging from Eric Dolphy and Alice Coltrane to the Red Hot Chili Peppers shape the band's eclectic high-energy aesthetic. The opening track, “X Marks the Spot," ...
Yotam Silberstein: Standards Vol. 2
by Pierre Giroux
On Standards Vol. 2 , guitarist Yotam Silberstein revisits the tradition with both reverence and invention, delivering a program of what he calls “lesser gems" -standards that have slipped through the cracks of overexposure yet hold depths still to be mined. With a lineup featuring bassist John Patitucci, drummer Billy Hart, and special guest tenor saxophonist ...
Backgrounder: Grant Green and Sonny Clark
Throughout jazz history, there have been magical pairings of musicians in recording studios. Sometimes the union was established jointly by the two musicians. At other times, producers brought them together. These couplings include Louis Armstrong and Jack Teagarden, Bix Beiderbecke and Frankie Trumbauer, Charlie Parker and Dizzy Gillespie, Miles Davis and John Coltrane, Shirley Scott and ...
Ron Magril: Inspired
by Neil Duggan
This is the second album as leader from Israeli guitarist & composer Ron Magril. It follows on from his debut, Until Now (Ubuntu Music, 2022). That album featured a hard-bop quartet. Inspired finds Magril in an organ trio setting, paying tribute to his musical heroes, Wes Montgomery and Grant Green. All eight tracks on ...
Hans Luchs: The Spell is Broken
by Artur Moral
The third record by NYC-based guitarist Hans Luchs arrives six years after his praiseworthy--but largely overlooked--sophomore release, Until Next Time (Self Produced, 2018). As with that album, the Chicagoan embraces the well-known motto of “less is more," distilling his guitar expertise and writing talent into less than forty minutes across eight new original compositions.
