The three Scandinavian musicians featured on Godspeed
are also members of the eclectic JazzKamikaze quintet. By 2014, Morten Schantz had released eight albums, four as a soloist and four with JazzKamikaze. Saxophonist Marius Neset has played alongside Django Bates
and Anton Eger is also drummer with Phronesis. JazzKamikaze produces a fairly frenetic sound whereas Godspeed
is relatively more sophisticated, but no less dynamic. This is Schantz's follow-up to his 2014 recording Unicorn
which was predominantly acoustic, whereas Godspeed
bears some comparison to his earlier album, 2004's Segment
The lugubriousness of the short opener "Silence In The Tempest (Part I)," belies what is about to ensue. It rapidly becomes difficult not to compare Godspeed
to the many and various incarnations of Weather Report, particularly on numbers like the title track, with Marius Neset's soaring soprano sax prominent. "Escape Velocity" with a heavy bass riff and synth voices all adding to a highly charged atmosphere, invokes an instant reminder of Joe Zawinul
's immeasurable contribution to music. This is undoubtedly one of the strongest and most memorable tracks on the album. Both Anton Eger's drumming and Schantz's electric piano work are positively electrifying.
However, not all of these Morten Schantz written compositions are high velocity; the aptly named and languid "Growing Sense" is far from that. The chameleon-like "Martial Arts" intertwines a high-octane vamp with a more wistful one and even manages to insinuate some soulful chord changes.
The short electronic soundscape of "Airglow" contrasts sharply with "Ceasefire" where Schantz himself proves his keyboards virtuosity with a Rhodes solo and Neset pays homage to Wayne Shorter
on incandescent soprano. Schantz then reverts to acoustic piano on the languorously elegant "Cathedral."
The erratic "Drill" arguably owes more to JazzKamikaze than anything else and makes excellent use of staccato multi-tracked saxophones whereas "Nuclear Fusion" is more like a Frank Zappa
-esque freak out for synths.
The various pulsating electronica meld satisfyingly with analog instruments, specifically tenor sax, on the anthemic "Dark Matter" and the set closes with the elegiac "Silence In The Tempest (Part II)." Godspeed
unceasingly rewards repeated plays and easily qualifies as one of the most exciting and engaging recordings for a long time. Schantz has surely now found his true métier.
Silence in the Tempest (Part I); Godspeed; Escape Velocity; Growing Sense;
Martial Arts; Airglow; Ceasefire; Cathedral; Drill; Nuclear Fusion; Dark Matter;
Silence in the Tempest (Part II).
Morten Schantz: Fender Rhodes; Electric Piano; Sequential Prophet 6; Roland
Juno 60; Moog Sub 37; Korg MS-20 mini; Korg Volca Keys; Solina String
Ensemble; Waldorf Streichfett; Arturia Beatstep Pro; Upright Piano & handclaps;
Marius Neset: soprano and tenor saxophones; Korg MS-10 bass synth on “Martial
Arts”; rhodes solo; handclaps; Anton Eger: drums, percussion & handclaps.