Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

7

Kaja Draksler Octet: Gledalec

John Sharpe By

Sign in to view read count
Slovenian pianist Kaja Draksler mines musical forms from much of the last century and beyond for her two CD collection Gledalec. This Octet date constitutes a departure from her more widely distributed work to this point, represented by the impressive solo performance The Lives Of Many Others (Clean Feed, 2013) and the intimate duet This Love (Clean Feed, 2015) with trumpeter Susana Santos Silva. Draksler fashions varied settings for three texts by Chilean poet Pablo Neruda, three by London-based Greek poet Andriana Minou and one by Slovenian poet Gregor Strnisa, articulated by the twin voices of Björk Níelsdóttir (not that Björk, though she did tour with her once) and Laura Polence.

Consequently, the listeners attitude to the often challenging marriage of poetry and music will play a major role in how they approach this set. Furthermore they will need particularly open ears to appreciate the breadth of this album from the 16th century hymn-like "Mirabile Mysterium" which begins proceedings to the five improvs by changing subsets of the Octet interspersed among the compositions. Add to that art song ("Omphalomancy"), jazz ballad ("Omlettio ad Absurdam") and contemporary classical influences (the title cut, with Strnisa's words sung in what is presumably his native tongue) and you get some idea of the ambitious scope.

The serene religious curtain raiser fits in well, especially as there is often something liturgical about how the two singers intertwine elsewhere. That's above all the case on "Canto XI" where Neruda's Spanish words are recited and sung, amid interludes of strangled saxophone cries, tolling percussion and enigmatic piano. Draksler showcases her concept and arrangements rather than her keyboard prowess, although her muscular pianistics shine on the collective "Bizdibocul," alongside George Dumitriu's abrasive violin and Lennart Heyndels' forthright bass.

While generally Draksler places the international cast at the service of the charts, Ab Baars' tenor saxophone alternately snorts and whinnies through a tour de force outing on "The Builder," creating an affecting contrast with the haunting, halting vocal and instrumental unisons. Of the other improvs, Argentinian saxophonist Ada Rave enjoys a terrific free jazz blow out on "(and here who there who)" in the choppy company of Heyndels and drummer Onno Govaert, and sounds barely restrained on the staccato "A Carnival Of Words."

An elegaic extemporized duet by Draksler and Dumitriu brings an intriguing program and clearly a deeply felt personal project to a close.

Track Listing: Mirabile Mysterium / Births; Omphalomancy; Bizdibocul; A Carnival Of Words; A Promise Is A Promise; Dulce como un solozzo en la nevada; Omlettio ad Absurdam; Gledalec; (and here who there who); Canto XI; The Builder; Epilogue.

Personnel: Björk Níelsdóttir: voice; Laura Polence: voice; Ada Rave: tenor saxophone, clarinet (1, 7, 11); Ab Baars: clarinet, tenor saxophone (10, 11), shakuhachi (6); George Dumitriu: violin, viola; Kaja Draksler: piano, conducting (11); Lennart Heyndels: double bass; Onno Govaert: drums, orchestral percussion, piano (11).

Title: Gledalec | Year Released: 2017 | Record Label: Clean Feed Records

Tags

Watch

comments powered by Disqus

Radio
Album Reviews
Take Five With...
Album Reviews
Read more articles
Gledalec

Gledalec

Clean Feed Records
2017

buy
This Love

This Love

Clean Feed Records
2016

buy

Shop

Start your shopping here and you'll support All About Jazz in the process. Learn how.

Related Articles

Read Barriers Album Reviews
Barriers
By Karl Ackermann
February 16, 2019
Read Fractal Guitar Album Reviews
Fractal Guitar
By John Kelman
February 16, 2019
Read The Early Bird Gets Album Reviews
The Early Bird Gets
By Mark Corroto
February 16, 2019
Read The Newest Sound You Never Heard Album Reviews
The Newest Sound You Never Heard
By Jerome Wilson
February 16, 2019
Read Think Big: Like Me Album Reviews
Think Big: Like Me
By Paul Naser
February 16, 2019
Read Melodic Ornette Coleman: Piano Works XIII Album Reviews
Melodic Ornette Coleman: Piano Works XIII
By Karl Ackermann
February 15, 2019
Read Free Fall Album Reviews
Free Fall
By Peter Hoetjes
February 15, 2019