Home » Jazz Articles » Album Review » Roscoe Mitchell & Tatsu Aoki: First Look

Roscoe Mitchell & Tatsu Aoki: First Look

By Jim Santella
October 12, 2005
View read count

Roscoe Mitchell & Tatsu Aoki: First Look

Two masters of improvisation come together on this session, creating a religious experience that leaves plenty of room for individual audience interpretation. On the bottom, Tatsu Aoki fills the room with resonating acoustic bass textures that thump a rhythmic foundation. On the top, Roscoe Mitchell pours improvised flute and saxophone melodies that move like sand falling through your fingers. Their collaboration proves natural.

With ultra-high harmonics flowing from Aoki's bowed bass, "Number Five Wings Place" opens delicately. Mitchell adds light percussive effects that allow the piece to drone as would music surrounding a ceremonial rite. The duo returns to this kind of setting time and again. Thus, their First Look adopts a theme that weaves itself through the session.

Two "Journey" pieces take them on a crusade through exotic modern jazz settings and more spiritual rites. As the duo romps with a swinging gait or slows to a ceremonial drone, their worshipping reflections cast a giant shadow. Together, they create impressions that reflect the spiritual nature of the world around us. Whether the landscape comes from just down the street or from some distant mountaintop, the duo's improvised music gives the audience plenty to absorb.

Track Listing

In; East Side Easy; Number Five Wings Place; The Journey; Glide; Dot; Journey for the Cause; Yoshihashi; Out.

Personnel

Roscoe Mitchell & Tatsu Aoki

Roscoe Mitchell: reeds, flute, percussion; Tatsu Aoki: acoustic bass, percussion.

Album information

Title: First Look | Year Released: 2005 | Record Label: Southport Records

About Roscoe Mitchell & Tatsu Aoki

PREVIOUS / NEXT

100 Years of Jazz Guitar
< Previous

If the Sea Replied
Next >

Become a Sustaining Member

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.