Home » Jazz Articles » Album Review » Sir Roland Hanna: Everything I Love
Sir Roland Hanna: Everything I Love
Sir Roland Hanna belonged to a rarified group of pianists which includes Hank Jones, Barry Harris, Tommy Flanagan, and Mulgrew Miller. These players have in common an urbanity and grace unbridled. Each is fluent in all styles and genres before stamping music with his own indelible character. No where is this better heard than when Sir Roland, in particular, performs solo, as he does on Everything I Love, recorded shortly before his death. It's one of two recordings Hanna made for IPO Recordings as their inaugural set of three releases (the remaining two are Sir Roland Hanna and Carrie Smith, I’ve Got a Right to Sing The Blues ; and Dubravka Tomsic, A Liszt Recital ).
Hanna drinks deep and provides an expansive breadth of the canon of American song. He offers a liberal sprinkling of Cole Porter with the title cut and a very balladic "You’d Be So Nice to Come Home To." Two Sondheim chestnuts in "Comedy Tonight" and "Send in the Clowns" grace the package, each played with sensitivity and resourcefulness. The highpoint of the recording is Hanna’s own "Bags—A Tribute" which exists as a set of thrilling variations on Milt’s Jackson’s "Bag’s Groove."
Sir Roland Hanna has left behind a beautiful love letter in the form of Everything I Love. We are blessed that he thought of us before leaving.
Visit IPO Recordings on the web.
This and all pieces published in December 2003 are dedicated to my late father, Norman L. Bailey (1915-2003).
Track Listing
Comedy Tonight; Bags-A Tribute; Lullaby Of The Leaves; I Hear A Rhapsody; You
Personnel
Roland Hanna
pianoSir Roland Hanna
Album information
Title: Everything I Love | Year Released: 2003 | Record Label: IPO Recordings
About Roland Hanna
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.





