Home » Jazz Articles » Album Review » Koichi Yabori: Elevation
Koichi Yabori: Elevation
Elevation shows two different flavors of Yabori's guitar work, acoustic and clean electric, yet both in the jazz trio format with bass and drums. The album begins on a mellow note with "Addicted to Jazz" and "Mime #1," both featuring Yabori's acoustic guitar. The timbre sounds like a nylon-stringed classical guitar, which adds to the somber vibe. Yabori doesn't switch to clean jazz electric guitar until the third song, "Elevation #21," which also features a snappy drum break. "Rat Race" offers the album's only moments of thick distorted guitar and chaotic fusion beats. After the clean electric ballad "9 P.M. Cruise," the acoustic guitar returns for the snappy groove of "Dig It." The CD concludes with two bonus tracks, including an electric guitar version of the album's opening track.
The electric guitar/acoustic guitar dichotomy contrasts these two sides of Yabori's playing. In addition, the order of the tracks lets Elevation start with the somber acoustic guitar, build through an electric ballad to the fusion stomp "Rat Race," then cool down with another ballad and more acoustic guitar. Yabori's composing skills also shine as sole composer of seven of the ten tracks. The playing by all three musicians is top-notch, including fretless leads by bassist Jiro Okadai and snappy snare work by drummer Hideo Yamaki.
Elevation is most likely going to have strongest appeal for fans of mellow jazz guitar and fans of Fragile who want to hear this more traditional side of Yabori's work. Look for Yabori's third solo record, Guess Where, due out this month.
Track Listing
1. Addicted to Jazz; 2. Mime #1; 3. Elevation #21; 4. Subscription; 5. Rat Race; 6. No Crunch; 7. 9 P.M. Cruise; 8. Dig It; 9. Addicted to Jazz (Electric Version); 10. Autumn Leaves.
Personnel
Koichi Yabori
guitarKoichi Yabori -- guitar; Jiro Okadai -- bass; Hideo Yamaki -- drums.
Album information
Title: Elevation | Year Released: 2005 | Record Label: Shiosai/ZiZo
About Koichi Yabori
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






