Home » Jazz Articles » Album Review » Tim Coffman: Crossroads
Tim Coffman: Crossroads
The music is presented in largely a sextet setting, with three quartet tracks and one duet. Coffman has wisely selected eight jazz standards and provided sparkling arrangements for them. On the sextet tracks, using the three-horn front linetrumpet, sax, trombonethe melody sounds brand new, as on the very familiar opening to Freddie Hubbard's "Sky Dive" or the jaunty Joe Henderson piece "Step Lightly." Scott Wendholt's trumpet is used very effectively in building some fine solos, as is Colby's tenor and soprano. On "Sky Dive," Colby slips in a double-timed bebop solo, showing his fluency in the style. Coffman himself is a melody player, and his solo work, as well as his take on the J.J. Johnson classic "Lament, is more of a tribute to the great trombonist per his lyrical playing than a mere recitation of the melody line.
Insofar as the standards go, Coffman's choice of "My Old Flame" is typical of an artist respecting the venerable ballad with appropriate shading from the group. The album ends with a duet between Coffman and bassist Kelly Sill on "Alone Together"... or should that be "Alone Two-gether"?
Track Listing
Yes Or No; Sail Away; Step Lightly; Crossroads; My Old Flame; Summer in Central Park; Sky Dive; Lament; Caravan; Alone Together.
Personnel
Tim Coffman
tromboneTim Coffman: trombone; Scott Wendholt: trumpet; Mark Colby: tenor and soprano saxophone; Mike Kocour: piano; Kelly Sill: bass; Bob Rummage: drums.
Album information
Title: Crossroads | Year Released: 2005 | Record Label: Blujazz Productions
About Tim Coffman
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







