Home » Jazz Articles » Album Review » Komeda Project: Crazy Girl

210

Komeda Project: Crazy Girl

By

Sign in to view read count
Komeda Project: Crazy Girl
This album is a rather unusual one, dedicated to 1960s Polish film scorer Krzysztof Komeda, who wrote music for films of the young Roman Polanski and Andraej Wajda. Some of the music on Crazy Girl was used for Polanski's, Rosemary's Baby (1968). Polanski used Komeda's music in almost all of his own films dating back to 1957's Two Men and a Wardrobe, and for the next decade, and credits Komeda with having composed the only major European soundtrack hit of that era other than Ennio Moriconne's The Good, The Bad and The Ugly (1966).

Komeda's music for Polanski's A Knife in the Water (1962, a tense and economically made film, used the vibraphone to create tension. Repulsion (1965), with original music by Chico Hamilton, was a rare occasion where Komeda was not part of a Polanski project.

The various themes composed by Komeda are used on Crazy Girl, illustrating his use of fragmented bebop lines to emphasize the jarring storyline of the movies. While trumpeter Russ Johnson has the most prominent role in transferring the lyricism from the screen to the disc, saxophonist Krzysztof Medyna offers a staccato delivery, sounding like a post-Coltrane interpreter. The two do get a few opportunities to play some attractive ballads that are filled out nicely by pianist Andrzej Winnicki.

Track Listing

Crazy Girl; Kattorna; Ballada; Is That Your Final Answer?; Svantetic Prelude; Svantetic; Tail Peace; Stop Time; Sleep Safe and Warm.

Personnel

Komeda Project
band / ensemble / orchestra
Russ Johnson
trumpet

Album information

Title: Crazy Girl | Year Released: 2007 | Record Label: WM Records


< Previous
In My Skin

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.