Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

302

Howard Riley: Consequences

Chris May By

Sign in to view read count
Revered by a few but unknown to most, Howard Riley has been an uncompromising free music agitator since the late '60s, first in small group settings, later with bigger outfits, like the London Jazz Composers Orchestra, and solo performance. His music ebbs and flows between material with no obvious antecedents and recalibrated shades of early bop. He's frequently bracketed alongside Cecil Taylor, but while he can indeed generate a lot of notes, he plays them pianistically rather than percussively. A better reference point is the dissonant lyricism of Thelonious Monk. Such resonances are, however, the relatively minor tributaries of a broad river of trenchant individualism.

Riley wanted Consequences, which was recorded in the studio, to retain the edgy no-deletions-possible spontaneity of live performance. Consequently (and hence the title), each of the twelve tracks is a first take, and every piece that was recorded during the session is included on the album.

Less abstract and more expansive than is Riley's frequent wont, the album is a page-turning, ten-fingered exploration of loosely pre-sketched, mostly upbeat material. Traces of Monk's close harmony note-clusters are heard from time to time, particularly on the title track and the overtly Monkish "Trinkling," and there are fainter echoes of boogie ("Enabling") and stride ("Thinking Of Then").

Even at his most spontaneous, Riley has a gift for in the moment structure and on the hoof editing. Form and brevity together shape each tune: average track length is about five minutes and each piece resmembles free association writing starting out from the sketchiest of plots. Stimulating and principled music.

Track Listing: Consequences; Feelgood; Old Times; Nobility; Enabling; Chance Encounter; Last Night; Spring Fling; Rituals; Thinking Of Then; Trinkling; Further Consequences.

Personnel: Howard Riley: piano.

Title: Consequences | Year Released: 2006 | Record Label: 33 Jazz

Tags

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Album Reviews
Live Reviews
Album Reviews
Multiple Reviews
Album Reviews
Profiles
Extended Analysis
Interviews
Album Reviews
Read more articles
Live In The USA

Live In The USA

NoBusiness Records
2019

buy
Constant Change 1976-2016

Constant Change...

NoBusiness Records
2016

buy
10.11.12

10.11.12

NoBusiness Records
2015

buy
 Howard Riley & Jaki Byard - R & B

Howard Riley & Jaki...

Slam Productions
2015

buy

Related Articles

Read Hastings Jazz Collective/Shadow Dances Album Reviews
Hastings Jazz Collective/Shadow Dances
By Dan McClenaghan
May 21, 2019
Read Crowded Heart Album Reviews
Crowded Heart
By Nicholas F. Mondello
May 21, 2019
Read That's a Computer Album Reviews
That's a Computer
By Jerome Wilson
May 21, 2019
Read All I Do Is Bleed Album Reviews
All I Do Is Bleed
By Paul Naser
May 21, 2019
Read LE10 18-05 Album Reviews
LE10 18-05
By Karl Ackermann
May 20, 2019
Read Remembering Miles Album Reviews
Remembering Miles
By Dan McClenaghan
May 20, 2019
Read Merry Peers Album Reviews
Merry Peers
By Bruce Lindsay
May 20, 2019