Atolón is a Barcelona trio consisting of Ferran Fages and Alfredo Costa Monteirowho, as a duo, are known as Cremasterplus trumpeter Ruth Barberán. The single 35- minute track was recorded at Can Felipa, in Barcelona, in January 2011. Although recorded by Another Timbre proprietor Simon Reynell, the album is actually released on the St. Petersburg-based Intonema, despite Reynell's label previously having released recordings by the three, notably the excellent Lúnula (2009) by Octante, which is Atolón plus Portuguese double bassist Margarida Garcia. Cremaster, Atolón, Octanteare you managing to keep track of these names?
Concret makes an interesting contrast with Pluie Fine (Potlatch, 2012), on which Cremaster collaborated with violinist Angharad Davies. In contrast to the duo, where he focuses on electro-acoustic devices and electric guitar, Monteiro here plays accordion plus objects, which significantly alters the soundscape, giving it more warmth and humanity than the occasionally harsh, electronic tone of the duo. Barberán's trumpet has the same effect, particularly when it is muted to create an appealingly vulnerable tone.
It is not all touchy-feely though. Throughout there is a chillingly disconcerting metallic tone lurking which contrasts dramatically with the analogue sounds. Together, the three players put together a constantly shifting piece that can be unexpectedly altered in an instant by a contribution from any of the three, rather than gently evolving. Most often, such scene-shifting interventions arrive courtesy of Fages, but the other two can have just as dramatic an effect. Altogether, this is exemplary trio improvisation resulting in gripping music.
I love jazz because next to my kids, it's the love of my life.
I was first exposed to jazz by Joe Rico from a tiny station in Niagara Falls in 1954 when I was 13.
The best show I ever attended was Maynard Ferguson who blew the roof off Massey Hall in the late 50s.
My advice to new listeners is to listen to everything you can and then listen again.