322

Maria Schneider Orchestra: Concert in the Garden

Jerry D'Souza By

Sign in to view read count
Maria Schneider's first three recordings have been admirable, due not only to her insight as a composer and her skills as an arranger, but also to the musicians that make up her orchestra. It is they who are the architects of her plan, and they get fully involved, giving the final edifice a rich presence and making it a marvelous listening experience that will long linger in the mind.

While the main inspiration is Brazilian music and yes, the poem by Octavio Paz which gives the record its name, Schneider also uses flamenco, a tinge of the French countryside, as well as rumba and buleroa, which is derived from solea, with a faster tempo to add to the flavour. She brings her own perspective to these forms and gives the compositions an added dimension that strengthens their progression. Take the use of Gary Versace and the accordion on "Concert in the Garden." He evokes the magic of a quiet evening, the atmosphere relaxed and warm, the listener letting the music seep into the senses and basking in the glow. The arrangement locks the ensemble in long flowing lines, with a ripple that acts as the stimulus to a brisker, brighter evolution. There is also Ben Monder, whose guitar lights supple lines; and Frank Kimbrough, whose phrasing on the piano brings crisp elegance.

The movements on "Buleria, Solea y Rumba" are seamless. This is a remarkable composition; the music is stunning and the use of the voice of Luciano Souza as a bridge, and as the fadeaway, are moments of beauty. Donny McCaslin settles into the groove of the composition then improvises, jutting into the angular and pushing the edges while keeping a tight rein on tension.

The movement is different on "Choro Danïado," lithe and swaying and sensuous, as dance should be. The middle section, "Pas de Deux," is enveloped in a classical air taken at a leisurely pace and stamped by a lyrical solo by Ingrid Jensen on the flugelhorn.

Visit Maria Schneider on the web.

Track Listing: Concert in the Garden, Three Romances: part 1--Choro Dancado; part 2--Pas De Deux; part 3--Danca Ilusoria; Buleria, Solea Y Rumba

Personnel: Tim Ries, Charles Pillow, Rich Perry, Donny McCaslin, Scott Robinson--reeds; Tony Kadleck, Greg Gisbert, Laurie Frink, Ingrid Jensen--trumpet and fluegelhorn; Keith O'Quinn, Rock Ciccarone, Larry Farrell, Pete McGuinness--trombone; George Flynn--bass trombone and contrabass trombone; Ben Monder--guitar; Frank Kimbrough--piano; Jay Anderson--bass; Clarenece Penn--drums; Jeff Ballard--cajon and quinto cajon; Gonzalo Grau--cajon; Gary Versace--accordion; Luciana Sousa--voice, Andy Middleton--tenor sax

Title: Concert in the Garden | Year Released: 2004 | Record Label: Artist Share

Tags

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Upcoming Shows

Related Articles

Read Migrations Album Reviews
Migrations
By Dan McClenaghan
June 25, 2019
Read Samba Azul Album Reviews
Samba Azul
By Mackenzie Horne
June 25, 2019
Read Blue Waltz - Live at Gustavs Album Reviews
Blue Waltz - Live at Gustavs
By Jakob Baekgaard
June 25, 2019
Read Deep In The Mountains Album Reviews
Deep In The Mountains
By Chris Mosey
June 25, 2019
Read Phoenix Rising Album Reviews
Phoenix Rising
By Jack Bowers
June 24, 2019
Read Last Works Album Reviews
Last Works
By Doug Hall
June 24, 2019
Read The Change Album Reviews
The Change
By Roger Farbey
June 24, 2019