Home » Jazz Articles » Album Review » William Woods: Cobalt Blue

William Woods: Cobalt Blue

By C. Michael Bailey
April 22, 2004
View read count

Pianist and composer William Woods is a radiological oncologist by vocation and talented jazz musician by avocation. Cobalt contains eleven smooth jazz tunes composed by him. The album title has a subtle physician's reference, since it refers to a radioactive substance employed in cancer treatment. Regis Branson, who is associated with Alex Bugnon, Howard Johnson, Najee, and Will Downing, produced the disc. Branson and Woods both contributed to the arrangements. The disc features Woods on piano with Branson adding keyboards, bass, drums, percussion and occasional vocals in the background. Also contributing to the project are soprano saxophonist Vincent Henry, soprano saxophonist Mark Friedman, alto saxophonist Robert DeBellis, and drummer Bernard Davis.

The resulting music is an edgy brand of adult contemporary jazz that exists somewhere between a hip Boney James and cerebral David Benoit. The disc starts with the composition "Out of My Hands," betraying a predisposition on the composer's part for rhythmic melody. This trend permeates the whole of this release, a smart and solid approach that makes the music vitally enjoyable and accessible. This recording will appeal to the staunchest contemporary jazz buffs and traditional acoustic heads alike.

Visit William Woods on the web.

Track Listing

1. Out of My Hands; 2. Rhythm; 3. Princess Dreams; 4. All Night Long; 5. Blue Me Down; 6. Absolute Zero; 7. Drama Queen; 8. No Money Down; 9. Reunion Song; 10. Small Wonder; 11. Tread Lightly.

Personnel

William Woods

William Woods: Piano; Regis Branson: Keyboards, Bass; Vincent Henry, Mark Friedman: soprano saxophone; Robert DeBellis: alto saxophone; Bernard Davis: Drums.

Album information

Title: Cobalt Blue | Year Released: 2004 | Record Label: Unknown label

About William Woods

PREVIOUS / NEXT

Clones & False Prophets
< Previous

Raison D'etre
Next >

Become a Sustaining Member

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.