Home » Jazz Articles » Album Review » Francesco Guaiana: Clouds in Motion

134

Francesco Guaiana: Clouds in Motion

By

View read count
Francesco Guaiana: Clouds in Motion
There's not much information out there about one of 2002's finest recordings, NoJaz, by a talented young group led by our man-of-the-moment, guitarist Francesco Guaiana, hailing from Palermo, Sicily. A diamond in the vast mine of indie jazz, its virtuosically painted inside/outside-isms are tethered to an ECM folk aesthetic. Four years later, we have a solo guitar recording from Guaiana, now 33, who proves a talent to be reckoned with in this idiom as well.

Guaiana touches on a litany of stated influences, including Jim Hall, Michael Hedges, Arvo Part, Egberto Gismonti and Nels Cline, while managing to sound just like himself throughout. His concept actually "focused on the sound of clouds in motion and the incredible difference between their slow movement and the chaos of contemporary city life. It's the second 2006 recording to take inspiration from airplane travel, attempting to "transpose that feeling in music, the sense of 'lightness' felt when flying.

Guaiana is expert at the use of loops and effects in real time, using no overdubbing on the recording save for a gentle reverse electric lead, which sometimes takes the sound of a bandoneon, over nylon-string classical guitar on the plush "Quadretto. On "Bridge he loops a quadrant of double stops to support slashes of graceful steel-string chords, as the guitarist toys with his own methodology of touch and release on the fretboard. Stripping the harmony bare to a simple single-note theme opens the canvas up for thickening via processing, vortexing us into the melody and the guitar's sound hole, only to gently release us, accompanied it seems, by the sound of our pulse, which has been covertly woven into the melody by our auteur.

"Pensieri Densi entails our proponent pounding his instrument into submission to rid himself of "Dense Thought using repeated single notes to add shards of propulsion in a language having little to do with jazz. From this more rock-influenced landscape, Guaiana can conjure at will pristine fingerpicking technique and advanced, dissonant voicings drenched in jazz theory, as on "Segnali di Fumo.

"Fabbrica shows us Guaiana's avant-gardist "factory exploring the textural possibilities of steel strings stopped with pins, paper and metal, splayed open through an industrial process of his own device. His three-part ode to Derek Bailey sounds conventional by comparison, beginning with a rich, bop-box sounding chord solo that could belong to Joe Pass, save for its live-loop repeating phraseology, with two more installments extending the concept into triad and diad spiced linearity. All the while, Guaiana demonstrates his hyper-awareness to the detailed phraseology inherent in his spinning of the line.

"Riff encapsulates Guaiana's solo oeuvre, featuring a beguiling bass sequence, looped to cushion a clean solo, improvised yet constructed, each note dedicated its exact, correct amount of decay before the next, all lined up to create ninety seconds of memorable motif.

In Clouds in Motion, Francesco Guaiana has again issued a recording reeking of the exuberance of creation—and he's captured the sound of clouds in motion. That should be enough.

Track Listing

Clouds in Motion; Bridge; Segnali di Fumo; Frantic; Fabbrica; Panorama; Pensieri Densi; For Derek Bailey Part I-III; Riff; La Mostra; Quadretto; Microclima.

Personnel

Francesco Guaiana: guitars.

Album information

Title: Clouds in Motion | Year Released: 2006 | Record Label: FGR

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.