7

The Remote Viewers: City Of Nets

Alex Franquelli By

Sign in to view read count
From A to B. The language spoken by The Remote Viewers is one that feeds itself with the interferences caused by lines crossing each other at various speeds in a continuous effort to connect the dots. We, the humans, are the thriving beads forever longing that 'B' we, sometimes, don't even want to reach. City of Nets is a beautiful picture of a random post-industrial environment, of its contradictions and its organized chaos moving at the pace of our routine: boring, static and grey but ever-changing, nonetheless.

If you are amongst the ones who have appreciated The Remote Viewers' previous efforts Nerve Cure (2011) and To The North (2010), you are undoubtedly familiar with the unwritten set of rules, which seem to discipline the structure and the complex organization of their music. The atonal approach relies on a minimal (some may say "austere") take on angular, jagged composition, which reflects the overarching cinematographic feeling.

The saxophones remain in the foreground dictating the melodic line, setting the pace by toying with frenetic juxtapositions and audacious dissonances, leading the band when it ventures into the dark, dodgy corners of the city ("The Wiring Party" and "The Night Desk") dragging the piano and the percussion with them.

Not a single note on City Of Nets is a consequence of a natural, inhuman act or will: in the city everything is moved by humans and so is the clamor and the reassuring violence of every day's disharmony. Repetition is therefore a statement reasserting the comforting predictability of our bustling urban environment and the feeling is fully expressed by "Red test"—and the overall atmosphere.

When it comes to describing The Remote Viewers, avant-gardism is not an end, but rather a means to convey the imaginary scenes the music is at pains to describe. Tunes like "Strange Welcome" or "The Wiring Party" are not only an experiment in musical metaphysics, with their diluted pace and whispered musicality: they are an involuntary mockery of musique concrète. The percussions play an integral part in this as they highlight the organic feel of the rhythm that otherwise relies entirely on drum programming.

City of Nets is jazz, not in its purest form and if we really would like to label it, we could even say that its appeal lies in the post-modern take on vintage jazz such as bebop. In this, we wouldn't be too far from the truth. What Adrian Northover and David Petts are trying to achieve is there for the taking, but it needs to be learned and captured through an attentive and repeated listen. The music allows enormous amounts of freedom and that is probably one of the reasons albums like these, with their atonal structures and rawness, will not appeal to everyone—at least not at first. If you live in a city—any big city—you already know this album and you love it. Or hate it with a passion.

Track Listing: City Of Nets; Strange Welcome; Red Test; The Wiring Party; Trivia; A Girl And A Gun; Table Talk; Dark Threat; Uninvited; Night Desk

Personnel: Adrian Northover: soprano, sopranino and alto saxophones; David Petts: tenor sax, noise generator; John Edwards: double bass, cello, drum programming; Caroline Kraabel: baritone sax; Sue Lynch: tenor sax; Rosa Lynch-Northover: keyboards, percussion;

Title: City Of Nets | Year Released: 2012 | Record Label: Self Produced

Tags

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Album Reviews
Extended Analysis
Album Reviews
Read more articles
Pitfall

Pitfall

ReR Megacorp
2015

buy
Crimeways

Crimeways

Self Produced
2013

buy
City Of Nets

City Of Nets

Self Produced
2012

buy
To The North

To The North

Self Produced
2011

buy
The Remote Viewers: Control Room

The Remote Viewers:...

Unknown label
2008

buy
Sudden Rooms In Different Buildings

Sudden Rooms In...

General Ear, The
2004

buy

Related Articles

Read Burning Meditation Album Reviews
Burning Meditation
By John Sharpe
April 18, 2019
Read Remembering Cecil Album Reviews
Remembering Cecil
By Dan McClenaghan
April 18, 2019
Read Apophenia Album Reviews
Apophenia
By Roger Farbey
April 18, 2019
Read Transcending the Sum Album Reviews
Transcending the Sum
By Chris May
April 17, 2019
Read Punkt.Vrt.Plastik Album Reviews
Punkt.Vrt.Plastik
By John Sharpe
April 17, 2019
Read Glitter Wolf Album Reviews
Glitter Wolf
By Jennifer DeMeritt
April 17, 2019
Read American Love Call Album Reviews
American Love Call
By John Bricker
April 17, 2019