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Bremer/McCoy at Norwich Arts Centre

Norwich Arts Centre.
Contemporary Classical & Contemporary Music
Norwich, UK
September 15, 2025
Danish duo Bremer/McCoy craft a distinctive fusion of improvisation and electronica that transcends genre boundaries, creating music that could equally be classified as jazz, classical or ambient. Their ethereal soundscapes conjure sensations of space and the passing of time.
When played live, their music requires a particular environment and the versatile Norwich Arts Centre proved to be an ideal setting for such immersive music. Originally constructed as a church in 1349, the building closed its doors to worship in 1891 and served various purposes before its restoration into a music venue. The Centre has since hosted future stadium giants, including Nirvana, Oasis and Coldplay, during their formative years, establishing its reputation as a launching pad for emerging talent.
The duo has released six albums to date and while their performance drew from their entire catalog, the evening centered on material from their 2025 release, Kosmos. On stage, keyboard player Morten McCoy sat surrounded by an impressive array of keyboards, his intricate work concealed from the audience until a strategically positioned camera projected the details of his performance onto a screen behind the stage.
Between them, he and bassist Jonathan Bremer used an array of pedals, analogue tape decks and faders to create delays and echoes to continually maneuver layers of melody to build their highly distinctive sound.
The mood was set with the title track from their 2021 album Natten (Luaka Bop) before moving into "Alting Løser Sig" (Everything Will Be Resolved) from Kosmos. McCoy uses fragments of melodies that are overlaid, shaped and reshaped to construct shimmering textures as Bremer's deep and sonorous bass lines both anchor the sound and trace sinuous paths through the melody.
Hearing the musical textures build in real time can invoke a meditative, contemplative state in the listener. The same transformation appears to occur with the musicians as they let the music emerge and flow. They rarely break their immersion except for brief glances to each other to signal new musical sections, their intuitive rapport evident as they jointly expand ideas rather than retreating into individual solos.
The duo uses their own sound system on tour; this dates back to their early days as a dub group. It enables new ideas to be instantly applied, notably on the evening's standout tracks "Regnen Falder Snart" (The Rain Will Fall Soon) and the closing track "Bøn."
Their music defies easy description, perhaps intentionally so. This is music to be experienced, drawing listeners into its embrace through sheer immersion. At one point, McCoy addressed the audience with "Thank you for the intense listening." That focused attention was richly rewarded with gently unfurling musical landscapes that delivered an evening of welcome calm.
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