4

Bill Frisell: Big Sur

Troy Collins By

Sign in to view read count
Along with household names like Pat Metheny and John Scofield, Bill Frisell is one of the most distinctive American guitarists of his generation. Despite his penchant for abstraction, Frisell's phrasing, touch and tone are as singularly unique and readily identifiable as those of his more conventional peers. Though his vast discography includes bold experimental solo albums and erstwhile membership in John Zorn's infamous Naked City, Frisell's abiding fascination with Americana has found him fine-tuning his encyclopedic interpretations of American folk music traditions over the past three decades—honing his reputation as one of the most imaginative stylists in the milieu.

Commissioned by the Monterey Jazz Festival, Big Sur was conceived by Frisell as a multi-part suite for an augmented version of his string-based 858 Quartet and composed during a residency at Glen Deven Ranch, located a short hike from the region's expansive California coastline. Subsequently rehearsed on site by the aptly named Big Sur Quintet, violinist Jenny Scheinman, violist Eyvind Kang, cellist Hank Roberts and drummer Rudy Royston experienced first hand the breathtaking vistas that inspired Frisell's work, yielding a truly simpatico performance from the group back in the studio.

The album's 19 succinct tunes—ranging from the hazy title track to the sunny "A Beautiful View"—draw upon an array of rustic textures to evoke the area's rugged panoramas, bolstered by Frisell's sophisticated harmonic sensibility. Augmenting the strings, Royston's trap set work adds percussive drive to the proceedings, providing a percolating undercurrent for surf-inflected numbers like "The Big One" and menacing blues fervor to the broodingly surreal "Highway 1." The acoustic strings work in tandem, supporting the leader's lyrical extrapolations with lush contrapuntal interplay. "Gather Good Things" demonstrates Frisell's keen ability to build ascending electrified drama from a spare neo-classical figure, while "Hawks" yields the same rousing effect from a spry countrified melody.

Concise to a fault, a few cuts clock in around a minute and a half, with "A Good Spot" less than one; accordingly, this collection of tightly-composed miniatures sounds more cohesive when treated as a single long-form work. Such long range vision requires dedication—not only from the artist, but from his associates, including business associates. Issued by the recently revived Okeh imprint, Big Sur marks a return to the major label environment that supported Frisell's career-defining pre-millennial output. Time will tell whether Okeh fosters the same creativity Nonesuch encouraged from Frisell in the 1990s, but all signs indicate the start of a promising relationship.

Track Listing: The Music of Glen Deven Ranch; Sing Together Like a Family; A Good Spot; Going to California; The Big One; Somewhere; Gather Good Things; Cry Alone; The Animals; Highway 1; A Beautiful View; Hawks; We All Love Neil Young; Big Sur; On the Lookout; Shacked Up; Walking Stick (for Jim Cox); Song for Lana Weeks; Far Away.

Personnel: Bill Frisell: guitar; Jenny Scheinman: violin; Eyvind Kang: viola; Hank Roberts: cello; Rudy Royston: drums.

Title: Big Sur | Year Released: 2013 | Record Label: Okeh


Tags

comments powered by Disqus

More Articles

Read Kurrent CD/LP/Track Review Kurrent
by C. Andrew Hovan
Published: October 17, 2017
Read Duets CD/LP/Track Review Duets
by Jakob Baekgaard
Published: October 17, 2017
Read Rev CD/LP/Track Review Rev
by Dan McClenaghan
Published: October 17, 2017
Read The Frequency Modulators Orchestra, Vol. 1 CD/LP/Track Review The Frequency Modulators Orchestra, Vol. 1
by Jim Olin
Published: October 17, 2017
Read The Adventures of Zodd Zundgren CD/LP/Track Review The Adventures of Zodd Zundgren
by Karl Ackermann
Published: October 16, 2017
Read Any Other Way CD/LP/Track Review Any Other Way
by Jakob Baekgaard
Published: October 16, 2017
Read "Eight Track II" CD/LP/Track Review Eight Track II
by Mark Sullivan
Published: December 4, 2016
Read "Standard Blue" CD/LP/Track Review Standard Blue
by C. Michael Bailey
Published: March 3, 2017
Read "A Rift in Decorum: Live at the Village Vanguard" CD/LP/Track Review A Rift in Decorum: Live at the Village Vanguard
by Mark E. Gallo
Published: July 27, 2017
Read "Better Left Unsung" CD/LP/Track Review Better Left Unsung
by Doug Collette
Published: December 10, 2016
Read "Songs Without Words" CD/LP/Track Review Songs Without Words
by Dan McClenaghan
Published: July 3, 2017
Read "Ultimate Hits" CD/LP/Track Review Ultimate Hits
by Doug Collette
Published: September 17, 2017

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.