Home » Jazz Articles » Album Review » Chris Dahlgren: Best Intentions
Chris Dahlgren: Best Intentions
Dahlgren provides the commanding and somewhat bouncy pulse on “The Gadfly” while also voicing and counterbalancing themes supplied by saxophonists Brown and Epstein as the soloists also engage in furious and at times frisky dialogue. Dahlgren’s authoritative yet non-obtrusive presence continues on “The Hypnotist” amid fiery soloing from the dual horn section and Takeishi’s seamless utilization of various percussion instruments. Takeishi should also be commended for maintaining a definable rhythmic structure here and throughout, especially while taking into consideration his seemingly enormous role as a percussionist who supplies the ethnocentric treatments while also handling the flow and meter. At times, Takeishi does emit the sensation or perception of two percussionists performing in tandem. Epstein and Brown trade alternating choruses on “Triptych” while pursuing slightly ominous themes as the band takes a U-turn mid way through this piece where they explore sharp unison lines amid heated conversation. “The Angels of Hartwell” features an affable reggae motif while Dahlgren cunningly constructs a virtual bridge for the saxophonists via his cunning arco-bass work on the composition titled, “Matson”.
There’s no doubt that Dahlgren is a huge talent. Other than his fine technique, the bassist shines as a formidable composer who possesses a great deal of wit and lyrical sensibilities along with a robust and well-defined style of execution. Best Intentions serves as an exemplary showcase for Dahlgren’s astute compositional skills and forthright abilities as a leader. Recommended. * * * *
Personnel
Chris Dahlgren
guitar, acousticAlbum information
Title: Best Intentions | Year Released: 2000 | Record Label: Unknown label
About Chris Dahlgren
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.





