With his trio, pianist Jacques Loussier has interpreted classical works in a straight-ahead jazz setting for over four decades. He made quite an impression in 1960 with the Play Bach Trio and has never looked back. Newer trios have developed under his direction, letting the practice of reinterpreting classical music in a jazz vein grow prolifically.
The music of J.S. Bach has much in common with modern jazz. There's considerable freedom, changes in mood and tempo, and a driving force. The spirit runs free. For the most part, the Brandenburgs offer light and carefree melodies with embellished, lingering phrases. J.S. Bach composed the six concerti for the Margrave of Brandenburg between 1708 and 1720. The central piece, "Concerto No. 5, was written for flute, violin and harpsichord. Loussier has always felt that it made the best fit for his jazz trio.
Piano, bass and drums negotiate the allegro passages of each concerto with ease and express ideas naturally with the slower portions. The piano's clarity remains the album's focus, as Loussier drives note for note what Bach laid down. When the trio improvises, those crystal-clear piano lines remain intact as the artists weave alternate ideas around each theme.
While the music seldom swings, it does provide a fairly enjoyable rhythmic stride in its interpretation. "Concerto No. 5 serves as the session's high point. The other concerti lack the emotional feeling that this one provides.
Loussier and his trio tackle "No. 5 with authority. Not by coincidence, it's also the longest of the concerto interpretations. With this favorite member of the Brandenburgs, we get plenty of swing, animated rhythmic action, a slow ballad middle movement, and a highly dynamic emotional environment. Loussier's interpretation closes with a hot allegro movement that sums up what he feels about keeping music such as this alive and well. Bach's music still holds many surprises, and Loussier's swinging trio is able to bring it into the 21st Century with determined clarity.
Concerto No 1 in F Major (I. Allegro; II. Adagio; III. Allegro); Concerto No. 2 in F Major(I. Allegro; II. Andante; III. Allegro Assai); Concerto No. 3 in G Major (I. Allegro; II. Adagio; III. Allegro); Concerto No. 4 in G Major (I. Allegro; II. Andante; III. Presto); Concerto No. 5 in D Major (I. Allegro; II. Affetuoso; III. Allegro); Concerto No. 6 in B-flat Major (I. Allegro; II. Allegro; III. Adagio Ma Non Tanto).
Jacques Loussier: piano; Benoit Dunoyer de Segonzac: bass; Andr
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.