441

Thelonious Monk Quartet with John Coltrane: At Carnegie Hall

By

Sign in to view read count
I don't recall a jazz CD ever receiving as much pre-release publicity as this one, Newsweek even referring to it as the "musical equivalent of the discovery of a new Mount Everest." Consequently, a listener couldn't be faulted for some anticlimactic sentiments, if not outright disappointment, at having the product in hand. Not to worry. Even upon an initial play, the recording is capable of commanding undivided attention from the first through the last track.

Monk has never sounded more energetic or exhuberant, as though he were primed for the concert of a lifetime. His arpeggios fly off both ends of the keyboard while his solos continually surprise with their rhythmic displacements, suspenseful silent stretches, and piecemeal motifs that somehow cohere into melodic magic.

But Monk's strongest suit on this set is his "third hand," John Coltrane. The insert shows a playbill on which Coltrane's name is half the size of Zoot Sims' and Sonny Rollins' names—appropriate, since his performance is equally subordinated to, or tempered by, a commitment to Monk's music. That is not to say that we don't hear much of the expected Coltrane scalular dexterity (especially on "Blue Monk"), but at no point would it seem appropriate to generalize about his playing on this recording as "sheets of sound." He's not the vatic artist here but the aesthete, matching his ensemble contributions and even his solo statements to Monk's challenging, yet contained and disciplined, compositions.

T S Monk, in an interview on this site, characterizes Coltrane's playing on this date as being "liberated" compared to the recordings with Miles. That's one way of looking at Coltrane's layering of chords within Monk's conducive harmonic system, but the Miles' dates frequently foreground the excitement of the search for freedom itself. On the earlier, treasured Prestige sides—"Cookin'," "Relaxin'," etc.—Coltrane creates engaging tensions as he tests the limits of dominant-tonic chord patterns in conventional popular standards, and on the later Columbia sessions, beginning with "Kind of Blue," he uses modal patterns to express a rapturous melding of movement and emotion. To put it another way, on the Monk session, logic and structure are his friends; by contrast, on the dates with Miles he's the daring and visionary artist, the Promethean romantic poet.

The audio to my ears is pristine, better than many current "live" recordings. The Steinway is rumbling, bright, and present in all registers; Shadow Wilson's drum kit is in your living room, the most alive percussion I've heard on a Monk session; Abdul-Malik's bass is full but not boomy; Coltrane's horn is not as consistently forward in the mix as is usually the case, further confirmation of his role as a contributing member of a genuine quartet.

Finally, there's nothing dated about this music. But for some of us, it's like entering a time capsule and living a glorious period of American music all over again.


Track Listing: Monk's Mood; Evidence; Crepuscule With Nellie; Nutty; Epistrophy; Bye-Ya; Sweet & Lovely; Blue Monk; Epistrophy (incomplete).

Personnel: Thelonious Monk: piano; John Coltrane: tenor saxophone; Ahmed Abdul-Malik: bass; Shadow Wilson: drums.

Title: At Carnegie Hall | Year Released: 2005 | Record Label: Blue Note Records


Tags

comments powered by Disqus

More Articles

Read Aqustico vol 2 CD/LP/Track Review Aqustico vol 2
by Geno Thackara
Published: September 25, 2017
Read Lattice CD/LP/Track Review Lattice
by Mark Corroto
Published: September 25, 2017
Read Beginnings CD/LP/Track Review Beginnings
by David A. Orthmann
Published: September 25, 2017
Read Synchronic CD/LP/Track Review Synchronic
by Roger Farbey
Published: September 25, 2017
Read Slægt CD/LP/Track Review Slægt
by Jakob Baekgaard
Published: September 24, 2017
Read An Eye on the Future CD/LP/Track Review An Eye on the Future
by Jack Bowers
Published: September 24, 2017
Read "Loafer's Hollow" CD/LP/Track Review Loafer's Hollow
by Karl Ackermann
Published: February 10, 2017
Read "East West Daydreams" CD/LP/Track Review East West Daydreams
by Budd Kopman
Published: February 9, 2017
Read "Apocalypse Live" CD/LP/Track Review Apocalypse Live
by Martin Longley
Published: July 13, 2017
Read "Meet Me At Minton's" CD/LP/Track Review Meet Me At Minton's
by James Nadal
Published: June 17, 2017
Read "Out 'N' In" CD/LP/Track Review Out 'N' In
by Jakob Baekgaard
Published: October 14, 2016
Read "Alto Manhattan" CD/LP/Track Review Alto Manhattan
by Mark Sullivan
Published: December 18, 2016

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.