Home » Jazz Articles » Willie Jones III
Jazz Articles about Willie Jones III
Jason Marshall: New Beginnings
by Pierre Giroux
Impresario extraordinaire and multi-talented saxophonist Cory Weeds has picked up the challenge to acknowledge the contribution of black musicians to jazz music in these uncertain times. Working with trumpeter and producer Jeremy Pelt, this album New Beginnings by baritone saxophonist Jason Marshall, would be the fifth release led by a black artist for The Cellar Music Group. Although his discography may be on the slim side, Marshall's bona fides are first-rate, having studied with top-notch players ...
Continue ReadingJason Marshall: New Beginnings
by Jack Bowers
Anyone who appreciates the thunderous sound of an assertive baritone sax should love New Beginnings, an emphatic quartet date that shines a light on Jason Marshall's muscular horn and keeps it there from start to finish. While his teammates (Marc Cary, piano; Gerald Cannon, bass; Willie Jones III, drums) converse eloquently on every one of the album's eight numbers, Marshall affixes a decisive exclamation mark on every sentence. He does so with exceptional technique and a seemingly ...
Continue ReadingSam Taylor: Let Go
by Pierre Giroux
Tenor saxophonist Sam Taylor is a man with a purpose. He is committed to sharing the joy music brings him with like-minded listeners. For this album, he brought together a number of his heroes including trumpeter Terell Stafford, pianist Jeb Patton, bassist Neal Miner and drummer Willie Jones III at one of jazz's most iconic recording studios, the Van Gelder Studios at Englewood Cliffs NJ, on January 31, 2022, under the guidance of engineer Maureen Sickler. ...
Continue ReadingHouston Person: Live in Paris
by Jack Bowers
The greatest jazz musicians have one trait in common; they make everything sound so ridiculously easy that listeners are liable to lose sight of the blood, sweat and tears which brought them to that pinnacle. Tenor saxophonist Houston Person, an octogenarian who keeps sidestepping every obstacle including Father Time, is one such master; regardless of groove or tempo, he seems perfectly at home, never letting an audience see him sweat, even on flag-wavers such as “Lester Leaps In," one of ...
Continue ReadingThe Caribbean Tinge: Live from Dizzy's Club Coca-Cola
by Steve Bryant
Ever since the jazz was created in the clubs and dancehalls of New Orleans, there was always a significant influence from the Caribbean region, specifically from Cuba. The island, which was just a ferry ride from the port city, had such a significant effect on the development of the music that Jelly Roll Morton always spoke of the importance of Afro-Cuban based rhythms (the Spanish Tinge) in creating and performing this nascent music. However, it was the arrival of a ...
Continue ReadingSuzanne Pittson: Out of the Hub: The Music of Freddie Hubbard
by Wilbert Sostre
The vocalese and scatting tradition is alive and well in singer Suzanne Pittson. With Out of the Hub: The Music of Freddie Hubbard, Pittson continues to establish herself as one of the best singers on today's jazz scene. Out of the Hub includes tunes written by or associated with trumpet legend Freddie Hubbard, with Pittson writing or co-writing five lyrics, which Hubbard approved just three months before his passing in 2008. To honor Hubbard, Pittson recruited ...
Continue ReadingStevie Holland: Before Love Has Gone
by AAJ Italy Staff
L'ascolto di Stevie Holland mentre interpreta standard famosi oltre a due canzoni di Gary William Friedman (autore pure di tutti gli arrangiamenti) e “Riverboat Gambler" di Carly Simon fa dimenticare tutto quello che avviene intorno. Poi al secondo ascolto si riesce a focalizzare sull'alto livello di produzione, della perfetta incisione e di come tutte le note, sue e dei musicisti, siano al posto giusto. Mica poco. La Holland scrive nelle ricche note di copertina che questo disco è pieno di ...
Continue Reading
