Home » Jazz Articles » William Parker
Jazz Articles about William Parker
James Brandon Lewis: For Mahalia With Love
by Jerome Wilson
Tenor saxophonist James Brandon Lewis has been establishing himself in various contexts for the last few years, but his main focus lately has been on his Red Lily Quintet. Their first album, Jesup Wagon, (TAO Forms, 2021), was dedicated to African-American scientist, George Washington Carver. On their 2023 release, the group's music focuses on the work of the legendary gospel singer, Mahalia Jackson. This tribute takes the form of interpretations of familiar spirituals Jackson often sang. The gospel-derived ...
Continue ReadingSteve Swell's Fire Into The Music: For Jemeel: Fire From The Road
by Alberto Bazzurro
Oltre tre ore di musica catturate in altrettante esibizioni live fra Texas (due, ottobre 2004) e Canada (la restante, settembre 2005) e oggi rese opportunamente disponibili sono ciò che ci offre questo triplo album composito ma per altri versi assolutamente monolitico. Lo firma un superquartetto, sempre quello, che attraversa i sette ampi brani (il primo occupa l'intero primo cd) con fare deciso, ottima capacità di gestire l'evolversi della musica prodotta, i suoi spazi intestini, felicemente bilanciati fra parti corali e ...
Continue ReadingJames Brandon Lewis Red Lily Quintet: For Mahalia With Love
by John Sharpe
The combination of James Brandon Lewis' impassioned tenor saxophone and songs associated with gospel singer and Civil Rights activist Mahalia Jackson is a match made in heaven. On For Mahalia, With Love by his Red Lily Quintet, Lewis retains the crack squad which made Jesup Wagon (Tao Forms, 2021) a success. Even though Lewis has a proven knack for crafting an affecting melody, he has chosen well as this repertoire has not only stood the test of time, but is ...
Continue ReadingMatthew Shipp Trio: Circular Temple
by Mike Jurkovic
On a good day it is strenuous to stay current with pianist Matthew Shipp's imposing and voluminous output. On an even better day it is a fool's hardy errand to say the least. Now with the planned re-issuing of some of his great early deconstructions of musical thought and theory, starting here with 1990's daringly incongruous yet hypnotically accessible, Circular Temple, keeping up just got a whole lot harder. With William Parker on bass and Whit Dickey on ...
Continue ReadingStephen Gauci / Francisco Mela / William Parker / Matthew Shipp: Live at Scholes Street Studio
by John Sharpe
Tenor saxophonist Stephen Gauci provokes blistering unfettered performances from the starry cast on another installment of Live At Scholes Street Studio. Gauci embodies a fierce DIY ethos which manifests in producing multiple concert series in NYC as well as releasing consequent material on his own label and posting video documentation on his website. On this occasion, he is joined by three storied veterans of the avant-jazz scene in pianist Matthew Shipp, bassist William Parker and drummer Francisco Mela who bring ...
Continue ReadingCharlie Apicella and Iron City Meet the Griots Speak: Destiny Calling
by Troy Dostert
Since the early 2000s, guitarist Charlie Apicella's Iron City trio has devoted itself to maintaining the tradition of soulful, organ-based jazz. The aptly-titled Groove Machine (OA2 Records, 2019) preceded Destiny Calling, the group's 2023 album. And the latest one is quite a change-up. For this outing, Apicella has teamed up with The Griots Speak, an all-star assemblage of veterans who trace their roots to the halcyon days of the New York loft scene of the 1970s: multi-instrumentalist Daniel Carter, percussionist ...
Continue ReadingCharlie Apicella & Iron City: The Griots Speak: Destiny Calling
by Hrayr Attarian
Guitarist Charlie Apicella and his organ trio Iron City are solidly based in the hard-bop mainstream. However, some of their releases are flavored with other motifs, partially by virtue of the guest artists. For instance, the tribute to legendary guitarist B.B. King, Payin' the Cost To Be the Boss (CArlo, Music, 2016), with an augmented sextet, was aptly bluesy. Meanwhile Classic Guitar (Zoho, 2020), with tenor saxophonist Stephen Riley, was an intimate interpretation of the Great American Songbook.
Continue Reading
