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Victor Gould: In Our Time
by Mike Jurkovic
Over the course of his first endearing works, 2016's stunning, NPR Debut Of The Year Clockwork (New Fresh Sounds), Earthlings (Criss Cross, 2018) and the lush Thoughts Become Things (Criss Cross, 2019), pianist/composer Victor Gould has exhibited a relaxed romanticism, an unerring lilt to his music. A warm empathy that draws you into the joyful, reflective and quiet moments abounding on In Our Time. As the sum and advocate of his influences, young Gould not only has a ...
Continue ReadingBlack Art Jazz Collective: Ascension
by Ian Patterson
The name has obvious political resonance. Indeed, the raison d'être of the Black Art Jazz Collective, the sextet founded by Wayne Escoffery, Jeremy Pelt and Jonathon Blake in 2013, is to celebrate African American excellence on the one hand, and--not unrelated--to raise political consciousness on the other. The BAJC's debut album,Presented By The Side Door Jazz Club (Sunnyside Records, 2016) paid homage to W. E. B. Dubois and Barack Obama, while recalling, too, the history of slavery. Ascension plows a ...
Continue ReadingBlack Art Jazz Collective: Ascension
by Jack Bowers
On Ascension, the Black Art Jazz Collective, a like-minded sextet co-founded in 2012 by trumpeter Jeremy Pelt and saxophonist Wayne Escoffery to salute the artistry of their mentors and musical heroes while moving the idiom forward into the twenty-first century, is unbending in its allegiance to the straight-ahead canon espoused by the architects of modern jazz. It's a stance that gives rise to pluses and minuses. On the upside, this is splendid music, rhythmically and melodically pleasing, ...
Continue ReadingVictor Gould, Eastern Rebellion, Ray Santos and More
by Joe Dimino
This week we open our show with a bright young cat that is leading the new jazz march, Victor Gould, in our mission to showcase the best and brightest in the world of jazz. From there, we shift to an elder statesman Ahmad Jamal and to others notable players on today's scene, like Champian Fulton, Andrés Vial and Rez Abbasi. A musician from London reached out to the show recently by the name of Loz Speyer and we are happy ...
Continue ReadingJazzmeia Horn: Love & Liberation
by Ian Patterson
It's a big step for any singer, the move from interpreter of jazz standards to songwriter. And when you've been Grammy-nominated for a debut album of covers, as Jazzmeia Horn was with A Social Call (Prestige, 2017), the temptation must be to carry on in the same vein. Horn, however, clearly has greater ambition, as the eight originals on her follow-up attest. Not that she's thrown the baby out with the bathwater, for swing, blues, bebop, gospel and thrilling vocal ...
Continue ReadingStafford Hunter: Continuum
by Paul Rauch
Stafford Hunter is known as a trombonist who grew out of the modern paradigm set by Steve Turre. He also shares a unique quality with Turre, in that he is an expert player of conch shells in the jazz idiom, joining him in the ensemble, Steve Turre and Sanctified Shells. While this tie with Turre is a logical conclusion, the dots don't quite connect in terms of playing trombone in jazz. While his association with the Duke Ellington ...
Continue ReadingVictor Gould: Clockwork
by Dan Bilawsky
There are lots of moving parts that make clocks tick. Each has its own function, harmoniously aligned with the others, and every single one helps to sustain the very concepts of time and flow. The analogy can clearly be drawn from these mechanisms behind timepieces to jazz in general, but it's rarely as obvious to the ears as it is on this album in particular. Pianist Victor Gould's debut utilizes a variety of large gears, pinions, and ...
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