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Trish Clowes: Sounding Colors, Playing With Gravity
by Ian Patterson
If it hadn't been that day, twenty some years ago when the young Trish Clowes first felt the pull of the tenor saxophone, it would surely have been another. Barely in her teens at the time, Shropshire-born saxophonist and award-winning composer Clowes already played piano, clarinet and sang when she went to see her Dad, an amateur trumpeter, play with the local big band. “When I heard a tenor saxophone feature on “In a Sentimental Mood" I thought ...
Continue ReadingTrish Clowes: Ninety Degrees Gravity
by Ian Patterson
Trish Clowes' stock has risen steadily since her debut, Tangent (Basho Records, 2010), which featured jazz quartet and, on several tracks, orchestra. That record announced a promising and ambitious voice, one equally at home with jazz and classical colors. Since then the saxophonist has continued to explore the meeting of jazz, voice and strings, attracting a growing chorus of admirers along the way. With the critically acclaimed My Iris (Basho Records, 2017), Clowes opted for a more stripped down, jazz ...
Continue ReadingTrish Clowes at Mermaid Arts Centre
by Ian Patterson
Trish Clowes Mermaid Arts Centre Bray, Ireland February 9, 2018 Almost five years had passed since saxophonist/composer Trish Clowes' only previous gig in Ireland, at the Derry Jazz and Big Band Festival 2013. Since then, Clowes has released a couple of well-received albums and was selected as a BBC Radio 3 New Generation Artist--a prestigious residency programme that recognizes talent deserving greater exposure. Clowes has also founded Emulsion, a collective-cum-annual festival dedicated to improvised ...
Continue ReadingTrish Clowes: My Iris
by Phil Barnes
There's an energy and a focus about this, Clowes fourth album for UK indie Basho records, that suggests a creative breakthrough. My Iris has kept that restlessness and love of music irrespective of genre apparent in Clowes earlier work, but feels a better constructed programme where the stylistic shifts are organic developments that blend naturally into the set-up of the compositions. Jazz is the core, but the breadth that comes from listening widely lifts this above the herd.On ...
Continue ReadingTrish Clowes: My Iris
by Fiona Ord-Shrimpton
Firstly, each individual in the Trish Clowes Quartet, Trish Clowes on various saxophones, Ross Stanley on piano and Hammond, Chris Montague on guitar and James Maddren on drums, fits their corner perfectly, providing the extra dimension that makes their cohesive playing effortless. There are no shirkers or hang back components in this line up. My Iris is mistressful and masterful musical wizardry and it sounds fascinating. “One Hour" starts with an uncommon horn-like guitar sustain, acting both other-earthly ...
Continue ReadingTrish Clowes: Pocket Compass
by Bruce Lindsay
On her debut album, Tangent (Basho Records, 2010), saxophonist Trish Clowes gathered together a large group of musicians and included a full orchestra on two tracks. For her impressive second album, And In The Night-time She Is There (Basho Records, 2012), she streamlined the line-up, adding just half a dozen guests to the core quintet but ensuring that the string players had the talent and opportunity to improvise. Pocket Compass is built once again around Clowes and her core group, ...
Continue ReadingTrish Clowes: And in the Night-Time She Is There
by AAJ Italy Staff
Dopo l'interessante debutto di Tangent la giovane sassofonista londinese Trish Clowes fa un ulteriore balzo in avanti verso i territori di confine tra il jazz e la musica classica contemporanea. Così in And in the Night-Times She Is There - titolo tratto da “The Sphinx," poesia di Oscar Wilde qui in un'interessante versione vocale di Kathleen Willison - combina anche dal punto di vista strumentale i due mondi musicali. I primi quattro brani vedono all'opera un classico quartetto jazz (più ...
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