Jazz Articles about Tony Williams

like 15

Miles Davis: In a Silent Way

by Nenad Georgievski
November 3, 2013

"Miles' audience isn't where it used to be but neither is his music" was used to market the new releases of Miles Davis' indefatigably changing music in the late 60's that caused seismic shifts in the world of jazz and completely had redirected it into new and fresh territories. In a career that stretched five decades Miles Davis did more than just become a star--this enigmatic 20th century icon fused an astonishing array of different musical styles, refused to be ...

like 101

Stanley Clarke: The Complete 1970s Epic Albums Collection

by John Kelman
February 29, 2012

Legacy Recordings' recent spate of Complete Albums Collection box sets have righted a whole slew of wrongs by bringing long out-of-print recordings back in a reasonably priced and tidily collected series. They may be relatively light on production values--simple clamshell-style boxes, mini-LP cardboard sleeves, and booklets whose information, beyond detailed track and personnel listings, is largely dependent upon how much the artist has to say, if anything at all--but the opportunity to collect an entire discography from a specific period ...

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Eric Dolphy: Out To Lunch

by Greg Simmons
January 11, 2012

Recorded just four months before his tragic demise, Eric Dolphy's Out To Lunch (Blue Note, 1964) represents a pinnacle moment in avant-garde jazz of the 1960s. Together with Andrew Hill's Point of Departure on the same label and from the same year, Out To Lunch is among the most challenging albums in the Blue Note catalog--one to approach with a very open mind. It is also the only full studio record that Dolphy completed for the label, and the only ...

like 90

Andrew Hill: Point Of Departure

by Greg Simmons
January 8, 2012

The folks at Music Matters have been reissuing classic Blue Note albums of the 1950s and 1960s at an aggressive clip, and have been careful to include virtually every style of music the label recorded, including some of its more challenging material. Pianist Andrew Hill's Point of Departure (1964) will never be mistaken for light cocktail jazz, but it's inclusion in this reissue series displays Music Matters' commitment to more adventurous material. In 1964, the term avant-garde could ...

like 134

Kenny Dorham: Una Mas

by Greg Simmons
November 22, 2011

Trumpeter Kenny Dorham's Una Mas was one of 1963's best records. The thought of hearing it reissued on ultra-high quality vinyl by the good folks at Music Matters should make jazz heads swoon. With its melding of hard-bop, bossa nova, and the blues, Una Mas is a prime example of the memorable vamps that Blue Note favored at the time, finding ultimate success later that year with Lee Morgan's The Sidewinder. Dorham was a prolific recording artist for ...

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Eric Dolphy: Out To Lunch! - 45 rpm Reissue

by Matt Marshall
October 2, 2009

Eric Dolphy Out To Lunch! Blue Note / Music Matters 2009 (1964)

Few jazz fans still need an introduction to reed player Eric Dolphy's 1964 masterpiece, Out to Lunch!. It's an album people tend to come to fairly early on in their love affair with the music (assuming, that is, the affair started after the early 1960s), and serves as a meeting ground for a wide scope of fans, be they stalwarts of bop, ...

like 348

Tony Williams: Tony Williams: Mosaic Select 24

by Matthew Miller
May 5, 2007

Blue Note president Alfred Lion knew talent when he saw it and in the early 1960s--a time of unparalleled success for his once fledgling label--he signed an astonishingly virtuosic drummer who had recently emerged with Jackie McLean. We all know the story: a mere eighteen years old and Williams was an unstoppable force at the kit. Beating infectious time over sharp snare hits and the resounding wash of his hi-hat, the youngster added a new dimension to every band he ...