Jazz Articles about Tomeka Reid

About Tomeka Reid

Album Review

Tomeka Reid cut her teeth in Chicago, recording with Anthony Braxton, Roscoe Mitchell and Nicole Mitchell, but the cellist's 2016 move to New York seems to have fired her creative juices even more. The prolific Reid has appeared on nearly twenty recordings in that time, notably including the Art Ensemble of Chicago's We Are On The Edge (Pi Recordings, 2019), and also touring with the group in celebration of its fiftieth anniversary. Given the demands on Reid's time, it is ...

Album Review

Alexander Hawkins and Tomeka Reid: Shards and Constellations

Read "Shards and Constellations" reviewed by Troy Dostert

by Troy Dostert
April 9, 2020

Although they have not recorded together previously, pianist Alexander Hawkins and cellist Tomeka Reid are both improvisers with omnivorous musical tastes and soaring ambition. Hawkins has fronted his own ensembles over the years—perhaps the most notable example being Step Wide, Step Deep (Babel, 2014)—but he's been active in freely-improvised contexts as well, working with everyone from Louis Moholo-Moholo to Evan Parker. And Reid has generated ample accolades both for her own quartet, most recently on Old New (Cuneiform, 2019), as ...

Album Review

Taylor Ho Bynum 9-tette: The Ambiguity Manifesto

Read "The Ambiguity Manifesto" reviewed by Giuseppe Segala

by Giuseppe Segala
March 31, 2020

All'interno della generazione di musicisti che si sono formati con Anthony Braxton negli anni Novanta, studiando presso di lui alla Wesleyan University e collaborando ai suoi lavori di quel periodo, Taylor Ho Bynum spicca insieme a Mary Halvorson per versatilità dinamica e dovizia progettuale. Bynum, nel periodo in cui ha diretto la Tri-Centric Foundation, dal 2010-2018, ha pure prodotto molti importanti lavori di Braxton, tra cui due poderose opere della serie Trillium e due spettacoli di Sonic Genome. La sua ...

Album Review

Jeremy Cunningham: The Weather Up There

Read "The Weather Up There" reviewed by Jakob Baekgaard

by Jakob Baekgaard
February 22, 2020

The complex landscape of human emotions is still vastly uncharted, but every true work of art adds a little piece to the puzzle. This can be done in many ways, but it is rare that an album connects emotion with complex layers of memory, interpersonal relations, politics and societal structures. Nevertheless, this is what drummer and composer Jeremy Cunningham's album does. In a statement, Cunningham explains the background: “I wrote The Weather Up There to confront the ...

Radio & Podcasts

Reid, Halvorson, Roebke and Fujiwara

by Bob Osborne
December 26, 2019

On this show a focus on the outstanding 2019 album from Tomeka Reid, Mary Halvorson, Jason Roebke and Tomas Fujiwara called Old New. To compliment those selections there are also tracks from each of the band members in various other units demonstrating the excellent music that each of these musicians create. There are also other fantastic new releases. One from revered Italian jazz guitarist Martino Vercesi, with his 4 tet, his fifth solo album, which is a collection of original ...

Radio & Podcasts

Tomeka Reid Quartet, Piero Bittolo Bon & Ratchet Orchestra

by Maurice Hogue
October 30, 2019

I guess this episode could be termed a “friendly" one, as it just so happens a number of my musical friends have new releases out for sampling, so I dove right in. Toronto drummer Nick Fraser has an excellent album out with Tony Malaby and Kris Davis and they open the show. Violist Ig Henneman from Amsterdam is part of a very non-traditional trio with trumpeter Jaimie Branch and flautist Anne La Barge—I know Ig from working with her and ...

Album Review

Taylor Ho Bynum: The Ambiguity Manifesto

Read "The Ambiguity Manifesto" reviewed by Mark Corroto

by Mark Corroto
September 17, 2019

Cornetist, composer, organizer and curator Taylor Ho Bynum marshals his recording The Ambiguity Manifesto into the categories of before and after, as in AM/PM, BC/AD, and maybe more appropriately before AACM (Association for the Advancement of Creative Musicians) and after AACM. With the entire breadth of recorded jazz history available, Bynum chose the concepts of the AACM as the tipping point(s) for this recording. This is a natural progression from his apprenticeship with Anthony Braxton and also his work with ...