Jazz Articles about Tim Ries

Mike Holober and the Gotham Jazz Orchestra: Thought Trains

by John Kelman
October 23, 2004

Originally recorded in '96, years before Mike Holober's début small group recording Canyon (Sons of Sound, '03), Thought Trains is only now seeing the light of day, but it continues to assert the pianist/composer/arranger as a dominant new force on the New York scene. And while the larger ensemble context of Thought Trains limits the amount of spontaneous interplay that was prevalent on Canyon , it makes up for that kind of unrestrained exploration with sharp arrangements that make full ...

Mike Holober and the Gotham Jazz Orchestra: Thought Trains

by Dan McClenaghan
October 16, 2004

There's something about trains, the metronomic, ringing clink-clack of metal wheels on metal track, the fanfare of the whistle, the rhythm and rumble of the coaches being propelled across a countryside. Duke Ellington loved trains, in a day when he and the band used the form of transportion to get from gig to gig. Think of “Take the A Train" and “Track 360." Pianist/arranger/composer Mike Holober loves trains, too, as his second outing as leader attests--the big band set Thought ...

Mike Holober: Canyon

by John Kelman
December 10, 2003

With a strong supporting cast, New York pianist Mike Holober's Canyon delivers a fine first effort of modern post-bop material. Producer Fred Hersch takes Holober, a busy sideman on the New York scene, and places him in the spotlight, garnering the artist broader recognition.

Holober is a lyrical pianist coming from the Evans/Jarrett/Jamal tradition, but while his playing on Canyon is strong and confident, his compositions are the real highlight of the release. The seven originals run the ...

Mike Holober: Canyon

by Michael P. Gladstone
December 4, 2003

Mike Holober, pianist and composer of most of these songs, is the nominal leader of this combo. However, the bulk of the melody chores are handed to saxophonist Tim Ries. Herein lies the difference. Ries, a veteran New York session player and recording artist with three releases under his own name, plays both soprano and tenor sax. On soprano, he plays with a more metallic sound that takes away from the melody; his approach on tenor is much in the ...

Mike Holober: Canyon

by Dan McClenaghan
October 19, 2003

Pianist/composer Mike Holober's songs brim with shifting textures and moods, like the color changes wrought by the inexorbably-shifting angles of sunlight playing upon the striations of a canyon wall. Holober spends free time hiking and climbing, and he wrote the title tune for Canyon after a trip to Utah's Paria Canyon, an experience that inspired a song full of seamlessly shifting grooves.Those shifts and changes within a composition – done while maintaining an entrancing accessibility – are Holober's ...

A Fireside Chat With Tim Ries

by AAJ Staff
October 1, 2003

I am a fan of Larry Goldings. Not so much his organ playing, although he is a fine organist, and probably the best of his generation, but more so for his compositional prowess. Goldings' compositions are very much beyond his years (if that didn't sound like a compliment, my apologies). Goldings is a fan of Tim Ries and if you connect the dots, well, in essence, I am as well.

The saxophone is a brutal instrument in jazz. ...

Tim Ries Septet: Alternate Side

by Jim Santella
July 1, 2001

Dramatic modern mainstream jazz contains curious harmonic concepts and rhythmic variety. Leading with tenor and soprano saxophones, Tim Ries provides six original pieces and two standards, from which his ensemble extracts the essential elements. A leading section member with the bands of Maynard Ferguson and Maria Schneider, Ries holds a master's degree in performance and composition from the University of Michigan. At 41, he's at a crossroads; where his writing and leadership mean as much as his searing solo work.