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Dan Weiss Trio: Dedication
by Troy Dostert
Approaching any Dan Weiss album requires a willingness to be challenged. From head-scratching time signatures to fascinating shifts in mood and texture, Weiss gives intrepid listeners a number of pathways into his music, and his releases always justify repeated encounters. Dedication, his latest with his regular trio partners pianist Jacob Sacks and bassist Thomas Morgan, is no exception, although what is most remarkable about this album is Weiss' lyrical sensitivity, a quality which is sometimes overshadowed on his other recordings ...
Continue ReadingJakob Bro, Joe Lovano: Once Around the Room - A Tribute To Paul Motian
by Angelo Leonardi
Il magistrale percorso da leader di Paul Motian, esploso negli anni ottanta nel trio con Joe Lovano e Bill Frisell, ha avuto significativi tributi a partire dal 2011, l'anno della sua scomparsa: ricordiamo lo String Choir di Joel Harrison, il collettivo Motian Sickness di Jeff Cosgrove, il solo piano di Russ Lossing (Drum Music) e quello successivo di Jean-Marc Padovani (Motian in Motion). Rispetto a questi, il tributo del collettivo guidato da Joe Lovano e Jakob Bro ...
Continue ReadingJakob Bro / Joe Lovano: Once Around the Room
by Mike Jurkovic
The thrumming double basses of Larry Grenadier and Thomas Morgan initiate the conversation. Then the scattered insistence of rhythm by drummers Joey Baron and Jorge Rossy enters, pushing Once Around the Room into consciousness with all the anticipation and hushed intent of an orchestra tuning before a performance. Airy clusters of guitar courtesy of Jakob Bro and electric bassist Anders Christensen introduce Joe Lovano's aching call summoning the spirit to make known “As It Should Be," the first of the ...
Continue ReadingCharles Lloyd: Trios: Chapel
by Dan McClenaghan
Blue Note Records has a history of boasting strong stables of players. In the 1950s and 60s, we could look to Art Blakey and the Jazz Messengers, trumpeter Lee Morgan, pianist Herbie Hancock, saxophonist Wayne Shorter--and if ever there was an incomplete list compiled, that one is it. Time rolls on. Twenty years (or thereabouts) into the new millennium, the label hosts an all-star roster once again--pianist Gerald Clayton, saxophonist Melissa Aldana, sax man Immanuel Wilkins, guitarist Julian Lage, and--to ...
Continue ReadingJacob Garchik: Assembly
by Hrayr Attarian
Trombonist and composer Jacob Garchik is versatile and restlessly inventive. His past work has ranged from a brass-only orchestra to a guitar-heavy ensemble as well as a unique take on gospel music. His sixth release, the provocative Assembly, evokes film soundtracks with a touch of fantasy. The nine originals make a cohesive whole with a creative momentum which does not slack. The opening track “Collage" has two distinct layers; in the background Garchik and soprano saxophonist Sam Newsome ...
Continue ReadingJacob Garchik: Assembly
by John Chacona
Trombonist Jacob Garchik has an interest in musical subtraction. His 2012 release The Heavens: The Atheist Gospel Trombone Album (Yestereve Records) presented religious music stripped of religion. Clear Line (Yestereve Records) from 2020 featured a 13-piece big band with no rhythm section. Now comes Assembly, an inquiry into what a jazz quintet sounds like when added to itself. Garchik declares both method and intent in his song titles; the first three cuts are “Collage," “Pastiche" and “Bricolage." The ...
Continue ReadingJacob Garchik: Assembly
by Mark Corroto
As a consequence of the global pandemic, we have been schooled in the science of virology. Under certain conditions viruses mutate and reorganize into something completely new. That is bad. Mutations can also be heard in the adventurous music of Jacob Garchik. That is good. His trombone leads his Atheist Gospel Trombone Album, his big band, plus Banda de los Muertos, a Mexican brass band. He can be heard in ensembles lead by Anna Webber, Henry Threadgill, Mary Halvorson, John ...
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