Jazz Articles about Stich Wynston

Stich Wynston's Modern Surfaces: Transparent Horizons

by Robert R. Calder
December 20, 2005

The intro emerges as heavy bowed bass--buzzy, ominous, sustained. Suddenly there's a thunderstorm, rock drumming, electric guitar, and tenor saxophone. A synthesizer (seldom-used here) wails, but less than the guitar and saxophone, then makes bell sounds and more while the bass goes thudding and bells like a stag before things devolve into the slower, quieter space of the original mood.

Thus develops Stich Wynston's “Outward Bound." “I Think This Party's Over" seems a faintly sardonic title for the second track's ...