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Jazz Articles about Steve Davis

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Album Review

Jason Forsythe: It's About Time

Read "It's About Time" reviewed by Jack Bowers


It's About Time likely refers to the fact that although Jason Forsythe has been a jazz composer of note for decades, this is the first-ever recording he has released as leader of his own ensemble, in this case a world-class sextet whose heavyweight front line is manned by trumpeter Brian Lynch, tenor saxophonist Walt Weiskopf and trombonist Steve Davis. While Forsythe wrote eight of the album's nine songs--every one of which houses much to admire and commend--the ...

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Album Review

James Danderfer: If Not Now

Read "If Not Now" reviewed by Jack Bowers


The clarinet, which once was commonplace in jazz (think Benny Goodman, Artie Shaw, Woody Herman, Pee Wee Russell, Tony Scott, Buddy DeFranco, Jimmy Giuffre, Pete Fountain, Bob Wilber and many others), is all but absent these days save for a handful of adamant diehards such as Paquito D'Rivera, Eddie Daniels, Don Byron and Ken Peplowski. That is one reason why it is always a pleasure to welcome a new voice into the choir, especially one as sharp and talented as ...

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Album Review

Eric Siereveld's Organic Quintet: Sweet William

Read "Sweet William" reviewed by Jack Bowers


On their second recording together, trumpeter Eric Siereveld and his New York-based Organic Quintet are more a sextet most of the way, as guest trombonist Steve Davis lends a master hand (two, actually) on six of the album's eight numbers. The term “organic" springs from the fact that one of the ensemble's anchors is organist Steve Snyder, and the pleasurable studio date is in part a family affair as Steve Davis' son, Tony Davis, is the group's ...

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Album Review

Zach Adleman: We Make: Stories For A New Day

Read "We Make: Stories For A New Day" reviewed by Jack Bowers


For someone not that long out of college, New York City-based drummer Zach Adleman has kept a full dance card, leading to the release of his impressive debut recording, We Make: Stories for a New Day, on which Adleman leads a nimble sextet through its paces on 11 charming and upbeat songs, nine of which he composed and arranged. In 2019, the New Jersey native won the Detroit Jazz Festival's annual J.C. Heard National Drum Competition. Two ...

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Liner Notes

One For All: Big George

Read "One For All: Big George" reviewed by C. Andrew Hovan


The world has changed dramatically since the end of the 20th century, the time period when the jazz collective One For All began to forge their stamp on the history of hard bop. Using the club Augie's on New York's upper west side as their stomping grounds, the group would make their debut recording at the beginning of 1987. The Broadway club would eventually become home of Smoke, one of the gems of the city's jazz scene and continued purveyor ...

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Album Review

Zach Adleman: We Make: Stories For A New Day

Read "We Make: Stories For A New Day" reviewed by David A. Orthmann


From beginning to end, Zach Adleman's debut as a leader, We Make: Stories For A New Day, fires on all cylinders. The twenty-something drummer inhabits the roles of player, composer, arranger, and bandleader with the aplomb of a seasoned veteran. A hungry, assertive band includes two generations of compatible hands who produce a fresh and vital sound that mirrors the straight-ahead, acoustic jazz tradition Adleman penned nine compositions that are sturdy, substantive, and melodically rich. We have ...

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Album Review

Renee Rosnes: Crossing Paths

Read "Crossing Paths" reviewed by Katchie Cartwright


In the course of a career that began in the 1980s and continues to flourish, Renee Rosnes has developed an extraordinary sound, both as a composer and as a pianist, one that is readily recognizable whatever the context. With Crossing Paths, she taps into longstanding affinities and affection for Brazilian music, illuminating elements and flavors that distinguish her singular style, animating the band and the material with her arranging magic. She opens the curtain with “Frevo," grabbing the ...


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