Jazz Articles about Stanley Clarke

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Joe Farrell: Moon Germs

by David Rickert
April 12, 2002

Moon Germs is one of the few true jazz albums put out by CTI, a label whose artists gravitated towards the commercial possibilities of soul jazz, primarily to put food on the table. It’s a jaw dropper, one of the truly classic albums from the era. Farrell, known primarily for his work with Elvin Jones in the sixties and Chick Corea in the early seventies, has wisely recruited three up and comers from the new fusion scene for a session ...

like 197

Dom Um Romao: The Complete Muse Recordings

by Derrick A. Smith
October 1, 1999

32 Records maintain their unique level of quality, and responsiveness, with this single-disc reissue of percussionist/composer Dom Um Romao’s complete Muse recordings, two albums from 1973 that determined the locus of bossa -tinged jazz, the nuyorican Latin movement, the Brazilian “corner club” sound, and Brazilian roots music, namely batucada.

Gene Paul’s customary naturalistic remastering allows full expression of the electronic and acoustic layered textures. Both albums, particularly the eponymous debut, move like a dream. The scant vocals provoke humorously from ...

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Dom Um Romao: The Complete Muse Recordings

by C. Andrew Hovan
October 1, 1999

According to producer Joel Dorn, customer requests have been staggering for the reissue of Brazilian percussionist Dom Um Romao’s two Muse titles which were both culled from sessions in June and November of 1973. Now available on one compact disc, The Complete Muse Recordings contains the sum total of the original albums Dom Um Romao and Spirit of the Times and as documents of a particularly fruitful period for Brazilian music they are invaluable. Way before the term “world music" ...

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Joe Henderson: In Pursuit of Blackness / Black is the Color

by Robert Spencer
June 1, 1999

Rather famously, Joe Henderson released a series of albums for Milestone in the early Seventies that courted popular acceptance in a variety of ways: most notably, he played modal proto-world music with Alice Coltrane and added an electric piano and other frou-frou to his ensembles in order to catch the fusion crowd. Nothing worked, and these albums are generally regarded as inferior both to the series of Blue Notes that preceded them and the Grand-Old-Man Verve releases of the present ...