Jazz Articles about Sirone

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Tony Oxley Quintet: Angular Apron

by Chris May
September 1, 2024

Among the most welcome jazz events of 2024 is the return to active duty of the great British saxophonist Larry Stabbins following an absence of over a decade. Stabbins went into voluntary exile in 2013, after around thirty-five years at the deep end of British jazz. Disenchanted with the culturally regressive direction in which the music and its ecology seemed to be heading, he even went so far as selling his tenor. But things change, and towards the end of ...

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Noah Howard: Quartet To At Judson Hall, Revisited

by Mark Corroto
June 5, 2023

Saxophonist Noah Howard is a musician deserving wider recognition. Born in New Orleans in 1943, like many black musicians he began playing music in the church. After a stint in the army, he settled on the West Coast where the avant-garde was progressing outside the purview of New York, which at the time was considered the center of all things jazz. The West Coast was also the origin of such as avant-gardists as Ornette Coleman, Don Cherry, Charlie Haden, and ...

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Cecil Taylor: The Complete, Legendary, Live Return Concert

by Mike Jurkovic
January 20, 2022

If the title alone The Complete, Legendary, Live Return Concert doesn't blow out those flu-like post-holiday cobwebs in a big hurry, the full, near ninety minute assault on all that was and is holy damn well will. Couple the jittery anticipation of NYC's Town Hall audience pushing up against the cool onstage élan of alto saxophonist Jimmy Lyons, percussionist Andrew Cyrille and bassist Sirone aka Norris Jones and the air in the hall is highly, nervously charged, all of them ...

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Marion Brown: Why Not? Porto Novo! Revisited

by Chris May
June 3, 2021

Alto saxophonist Marion Brown was part of the band on John Coltrane's Ascension (Impulse, 1965), though you would not guess it from Why Not (ESP, 1968). Like fellow Ascension alumnus, tenor saxophonist Pharoah Sanders' contemporaneous Tauhid (Impulse, 1967), Brown's album inhabited an intensely melodic section of the 1960s' New Thing. As were Sanders' own-name releases from 1967 onwards, Brown's work was deeply lyrical and embraced South Asian, Maghrebi and West African instruments and constructs. As bandleaders, the two ...

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Sirone: Live

by John Eyles
January 4, 2006

As Andrey Henkin pointed out last January, Sirone is under-represented on CD, particularly given his illustrious history. The 2005 release of the debut album from the Sirone Bang Ensemble has helped the situation; now comes this historic reissue.

Dating from 1981, Live is both a valuable historical snapshot and a curate's egg of an album, very good in parts. I found the opening track, “Flute Song," featuring Sirone on wood flute, to be rather too long and a ...

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And Now... Sirone

by A. Henkin
January 22, 2005

2004 was a busy year for Sirone. The bassist for the legendary Revolutionary Ensemble saw one of that group's five recordings reissued for the first time (and become the only document of the group to make it to the CD era); a few months later, spurred by the resurgent interest in the group, the trio reformed for an exultant set at the Vision Festival. Feeling flush with momentum, the group reentered the studio and recorded their newest album since 1977's ...