Jazz Articles about Seneca Black

About Seneca Black

Album Review

Arturo O'Farrill: Virtual Birdland

Read "Virtual Birdland" reviewed by Jack Bowers

by Jack Bowers
May 12, 2021

Whenever an obstacle presents itself--even one as devastating and disruptive as a global pandemic--it's a sure bet that musicians will find a way around it, a way to keep making music even in the most grievous circumstances. Jazz musicians have been especially creative during the Covid-19 scourge, using social media, the internet and any other means at their disposal to share their music with the world. True, the paychecks aren't as large or as regular as once they were, but ...

Album Review

The Awakening Orchestra: Volume II: To Call Her to a Higher Plan

Read "Volume II: To Call Her to a Higher Plan" reviewed by Angelo Leonardi

by Angelo Leonardi
November 9, 2020

Tra gli orchestratori e bandleader emersi di recente Kyle Saulnier è uno dei più interessanti. Il suo esordio con l'Awakening Orchestra nel doppio This Is Not the Answer (Innova 2014) ha rappresentato una sorprendente rivelazione per padronanza di scrittura e spregiudicata sintesi di elementi diversi, inclusi il free e il rock. Con un taglio espressivo un po' diverso, il successivo Atticus Live! (Biophilia 2016) ha confermato la versatilità del leader nel coniugare altri mondi musicali (ovvero le musiche ...

Album Review

Arturo O'Farrill: Four Questions

Read "Four Questions" reviewed by Jerome Wilson

by Jerome Wilson
September 2, 2020

Surprisingly this set marks the first time Arturo O'Farrill has recorded a set of solely his own compositions. It was worth the wait because this music, played by his Afro Latin Jazz Orchestra, really demonstrates the cinematic sweep and variety of his writing. The set is constructed around two topical extended works. The first, “Four Questions," is based on four questions about the struggle for human rights and personal dignity first posed by African-American author W.E.B. DuBois in ...

Album Review

Arturo O'Farrill and the Afro Latin Jazz Orchestra: Four Questions

Read "Four Questions" reviewed by Jack Bowers

by Jack Bowers
May 25, 2020

The Four Questions addressed by composer / pianist Arturo O'Farrill's Afro Latin Jazz Orchestra on its latest album were first posed in 1903 by W.E.B. DuBois in his book The Souls of Black Folk and are answered herein by the esteemed educator / historian / social activist Dr. Cornel West. For the record, the questions are “what does integrity do in the face of adversity and oppression, what does honesty do in the face of lies and deception, what does ...

Album Review

Funk Shui NYC: Shark NATO on a Plane

Read "Shark NATO on a Plane" reviewed by Jack Bowers

by Jack Bowers
March 21, 2020

While some older listeners (and younger ones as well) may be thrown slightly off-kilter and find it hard to apprehend exactly what Funk Shui NYC is about, it must be conceded that the New York-based ensemble in all likelihood represents the future of big-band jazz, or at least a sizeable and assertive chunk of it. The name itself offers an explicit clue, as Funk Shui is indeed heavy on the funk (rather less on the shui, whatever that is), as ...

Album Review

Andrew Rathbun: Atwood Suites

Read "Atwood Suites" reviewed by Angelo Leonardi

by Angelo Leonardi
January 24, 2020

Sassofonista e orchestratore canadese, Andrew Rathbun ha 47 anni e una ricca carriera alle spalle, svolta negli Stati Uniti con studi al New England Conservatory sotto la guida di Ran Blake e dal 1997 professionalmente a New York in vari contesti. A partire dal debutto del 1999 con Scatter Some Stones, ha inciso alcuni dischi da leader, il più noto dei quali è Sculpture (Fresh Sound 2002) inciso in quintetto col suo mentore Kenny Wheeler. Con quest'ultimo Rathbun ha collaborato ...

Album Review

Andrew Rathbun Large Ensemble: Atwood Suites

Read "Atwood Suites" reviewed by Jerome Wilson

by Jerome Wilson
September 16, 2018

Andrew Rathbun is a Canadian saxophonist who has made a major musical statement here with this collection of suites, two of which are based on the poetry of author Margaret Atwood. Rathbun's writing shows the influence of another Canadian, Kenny Wheeler, in its lush sonority, the frequent gorgeous flugelhorn solos by Tim Hagans and the role of Luciana Souza, who both sings Atwood's poetry with gentle forcefulness and moans wordlessly within the orchestral ensembles, the same way Wheeler often utilized ...