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Jazz Articles about Satoko Fujii

162
Album Review

Satoko Fujii Quartet: Bacchus

Read "Bacchus" reviewed by Dan McClenaghan


You'll often hear jazz artists say that they don't like to call their music “jazz." The word, after all, is a label, and labels confine--if you take them seriously/and or let them. Pianist Satoko Fujii may or may not label her music (it's doubtful), but there are certainly no constraints on the sounds she makes.Fujii records, prolifically, with any number of ensemble configurations: from her extremely freewheeling and often cacophonous big bands to duo projects, the European-flavored Gato ...

166
Live Review

Satoko Fujii & Natsuki Tamura Duo

Read "Satoko Fujii & Natsuki Tamura Duo" reviewed by Jim Santella


Satoko Fujii & Natsuki Tamura Café Metropol Los Angeles, California September 8, 2007

Using every inch of her piano's keyboard and every nuance of his trumpet's capabilities, Satoko Fujii and Natsuki Tamura appeared at Café Metropol in Los Angeles to begin an extended tour in the name of avant- garde jazz. As prolific composers and performers, the duo carries a wide range of ideas with them wherever they go. Reflecting the history of LA's ...

473
Profile

Satoko Fujii: Defying Expectations

Read "Satoko Fujii: Defying Expectations" reviewed by Kurt Gottschalk


Satoko Fujii is a rare breed. The pianist and composer manages to continually defy expectations while remaining solid and eminently musical in her work. She puts out new recordings at an almost ridiculous rate, rarely repeating a composition, but doesn't simply toss any live session to whatever label will take it. Each new disc (she's released more than thirty under her name since her first release in 1995, including eight in 2006 and eleven in 2004) seems to advance her ...

1
Album Review

Satoko Fujii - Natsuki Tamura: In Krakow In November

Read "In Krakow In November" reviewed by AAJ Italy Staff


Assieme nella vita e in varie formazioni musicali, la pianista Satoko Fujii e il trombettista Natsuki Tamura hanno registrato già un paio di dischi in duo: nel 1996 hanno pubblicato per la Leo Records How Many (Leo Lab CD 029) e nel 2001 autoprodotto Clouds, per l'etichetta Libra. Quest'album - registrato come indica il titolo a Cracovia, l'8 novembre 2005, negli studi di Radio Krakow - si snoda su coordinate espressive piuttosto diverse rispetto ai lavori precedenti. Ciò che s'evidenzia ...

403
Album Review

Satoko Fujii Min-Yoh Ensemble: Fuijin Raijin

Read "Fuijin Raijin" reviewed by Troy Collins


Japanese pianist Satoko Fujii's artistic restlessness is given full flower on Fujin Raijin, her first album of Min'yo compositions. Classically trained, Fujii is one of today's most eclectic jazz figures, leading ensembles that range from intimate chamber duos to full-sized big bands. Long fascinated by the emotional directness of Min'yo (traditional Japanese folk music), Fujii finally takes the plunge with a mix of traditional and original pieces.

Fujii is joined by her usual foil, husband and trumpeter Natsuki ...

273
Album Review

Satoko Fujii Min-Yoh Ensemble: Fujin Raijin

Read "Fujin Raijin" reviewed by Dan McClenaghan


Pianist Satoko Fujii has put together another ensemble. There's nothing new in that; it seems she and/or her husband, trumpeter Natsuki Tamura, form a new group or two every year, just to keep things fresh. With the Satoko Fujii Min-Yoh Ensemble, the mercurial Japanese-born pianist/composer takes off on yet another tangent--an exploration of Japanese folk music.It's a departure of sorts. The Gato Libre group--in which Fujii plays accordion--has put out two CDs influenced by European folks sounds: Strange ...

234
Album Review

Satoko Fujii / Natuski Tamura: In Krakow In November

Read "In Krakow In November" reviewed by Budd Kopman


The cover is dark blue with a picture of a city (presumably Krakow) at dusk with a cloudy sky. Lights that have come on are glowing from overexposing the shot. The mood is thus set for the duo of pianist Satoko Fujii and her husband, trumpeter Natsuki Tamura to present re-workings of pieces recorded in different arrangements from years past. The album has a stark, wide-open sound that creates a serious, introspective mood which matches the one created by the ...


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