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About Satoko Fujii

392

Album Review

Satoko Fujii & Myra Melford: Under The Water

Read "Under The Water" reviewed by Jerry D'Souza

by Jerry D'Souza

The Maybeck Recital Hall has been home to some of the best pianists whose playing resonated not only within the walls of that institution, but into the history of piano music as well. That sounding board came alive once more when Myra Melford and Satoko Fujii performed there on September 14, 2007.

Melford and Fujii have established their own creative niches. Each has her own approach, but there is a commonality in the way they divine the path ...

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1

Album Review

Satoko Fujii: Heat Wave

Read "Heat Wave" reviewed by AAJ Italy Staff

by AAJ Italy Staff

In questo decennio Satoko Fujii s'è imposta come una delle personalità artistiche più originali, complete ed eclettiche della scena musicale internazionale. La sua creatività è a dir poco prorompente (come dimostra un corpus discografico di oltre trenta opere) ed ogni lavoro manifesta singolare magnetismo e forza di coinvolgimento, toccando l'ascoltatore nel profondo come raramente accade oggi. Nell'anno che è appena trascorso la pianista e compositrice giapponese ha festeggiato 50 anni pubblicando quattro CD, con altrettanti gruppi senza mostrare il minimo ...

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255

Live Review

Satoko Fujii Ma-do Quartet at the Vortex in London, England

Read "Satoko Fujii Ma-do Quartet at the Vortex in London, England" reviewed by John Sharpe

by John Sharpe

---> Satoko Fujii Ma-do Quartet Vortex Jazz Bar London, England February 6, 2009

Japanese pianist and composer Satoko Fujii may have small hands but more than compensates with a big conception, realizing its expression through a bewildering range of vehicles. A full house at London's Vortex Jazz Bar hosted her latest project, the Ma-do Quartet, partway through their first European tour.

Classically trained, Fujii switched to jazz in her early twenties, graduating ...

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231

Album Review

Satoko Fujii Orchestra Nagoya: Sanrei

Read "Sanrei" reviewed by Eyal Hareuveni

by Eyal Hareuveni

There is no doubt that out of the four big bands that Japanese composer and pianist Satoko Fujii leads, Orchestra Nagoya is the wildest one. It is also the fastest and the loudest one. It may feel like being hit by a huge adrenalin shot while listening to Sanrei, the orchestra's third release; but rest assured this powerful demonstration does not lack detailed and precise arrangements.

The orchestra was masterminded by Fujii, who opts only for the conductor role with ...

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347

Album Review

Natsuki Tamura / Satoko Fujii: Chun

Read "Chun" reviewed by Troy Collins

by Troy Collins

Chun is one of seven new albums released in 2008 by tireless Japanese pianist Satoko Fujii in celebration of her fiftieth birthday. Issued concurrently with Sanrei (BKM), by her Orchestra Nagoya, and Summer Suite (Libra), by her Orchestra New York, Chun is the fourth duet session Fujii has recorded with her husband, trumpeter Natsuki Tamura.

Fujii and Tamura have honed their empathetic rapport in a variety of settings over the past decade, from the massed ensembles of the ...

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247

Album Review

Satoko Fujii Orchestra Nagoya: Sanrei

Read "Sanrei" reviewed by Mark Corroto

by Mark Corroto

Satoko Fujii's Sanrei might smell like teen spirit, but it isn't a rock power trio disc; it's an orchestra sent here from nirvana by way of Nagoya, Japan.  Pianist Fujii eschews the keyboards for a conductor's baton, leaving the chords to guitarist Yasuhiro Usui to shred with abandon.

Probably best known for her virtuosic piano, Fujii plays in trio with bassist Mark Dresser and drummer Jim Black, duo with husband and trumpeter Natsuki Tamura, or in ...

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216

Album Review

Satoko Fujii Orchestra Nagoya: Sanrei

Read "Sanrei" reviewed by Dan McClenaghan

by Dan McClenaghan

Satoko Fujii has a rock and roll soul and heart, judging from the opening cut on Sanrei, by her Orchestra Nagoya. The tune thumps and slashes to life on a bass/drums/guitar intro that sounds like Deep Purple searching for the groove on “Kentucky Woman," an early burst (1968) in the heavy metal mode.

The Japanese-born Fujii, a beyond category artist, is usually considered an avant-garde jazzer. But her sonic artistry is informed by just about any type of ...

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