Jazz Articles about Roswell Rudd

About Roswell Rudd

Interview

Roswell Rudd: Where Improvisation Lives

by AAJ Staff
May 2, 2026

This article was originally published on All About Jazz in August 2002.All About Jazz met with trombonist and arranger Roswell Rudd in Manhattan to discuss his recent activities and his forthcoming weeklong residency with Steve Lacy at Iridium. Rudd also spoke of his affiliations with Albert Ayler and the still very much alive bassist Lewis Worrell, as well as some of his future projects, including sessions done with Mali musicians and sideman work with Glen Hall and Bobby ...

Radio & Podcasts

Roswell Rudd, Minnie Riperton, Tomoko Omura and Others

by Jerome Wilson
March 6, 2024

This vintage show from October 2021 has the usual eclectic mix of artists, including Roswell Rudd, Minnie Riperton, Herbie Hancock, Tomoko Omura, Denis Charles, and much more. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 John Nyerges “Life" from Jazz, Pictures and Poems (NBR Jazz) 00:54 Lee Morgan “Boy, What A Night" from The Sidewinder (Blue Note) 7:38 Host Speaks 15:10 ...

Album Review

Terry Adams: Terrible [Deluxe Edition]

Read "Terrible [Deluxe Edition]" reviewed by Dave Linn

by Dave Linn
February 19, 2024

Terry Adams is best known for his work with the seminal band, NRBQ (New Rhythm & Blues Quartet). Their self-titled debut (Columbia, 1969), included Sun Ra's “Rocket Number Nine." The follow-up was a collaboration with early rock legend Carl Perkins called Boppin' The Blues. In 1974 singer, songwriter, and guitarist extraordinaire, Big Al Anderson and drummer Tom Ardolino joined the band. For the next 20 years that lineup thrilled live audiences around the world. In 1994, Anderson (dismayed by the ...

Album Review

New York Art Quartet: New York Art Quartet Revisited

Read "New York Art Quartet Revisited" reviewed by Alberto Bazzurro

by Alberto Bazzurro
January 9, 2024

Questa preziosa (ancora una volta) riedizione di oltre un'ora e un quarto di musica riunisce i primi due album di uno dei gruppi più leggendari della stagione free, il primo intitolato semplicemente col suo nome e pubblicato dall'altrettanto leggendaria ESP fondata nel 1963 da Bernard Stollman (incisione del 16 novembre 1964), il secondo, Mohawk, di pochi mesi successivo (17 luglio 1965), edito su Fontana. Il gruppo è per tre quarti identico in entrambe le occasioni, allineando figure nodali di quella ...

Album Review

Archie Shepp: Fire Music To Mama Too Tight Revisited

Read "Fire Music To Mama Too Tight Revisited" reviewed by Chris May

by Chris May
September 26, 2022

In 2022, it is widely accepted that, when free jazz (aka the New Thing) was in its ascent in New York in the 1960s, there was, despite superficial appearances, no fundamental incompatibility between it and the historical jazz tradition. More contentiously, revisionist historians are now suggesting that there was no real conflict between New Thing and changes-based or modal-based musicians either. They should try telling that to Archie Shepp. In autumn 1966, during the Miles Davis quintet's ...

Album Review

Roswell Rudd, Duck Baker: Live

by Mario Calvitti
February 2, 2022

La combinazione in duo tra trombone e chitarra (particolarmente se acustica) non è mai stata molto frequente, ma d'altra parte anche Duck Baker non è proprio un chitarrista convenzionale. Partito dal fingerpicking tradizionale nella scuderia di Stefan Grossman, ha ben presto allargato il suo raggio d'azione fino a comprendere tutta la storia del jazz, dal ragtime al free d'avanguardia, soffermandosi in particolare su alcuni nomi (notevoli i suoi omaggi a Herbie Nichols e Thelonious Monk), unendo spesso le forze con ...

Album Review

Albert Ayler: New York Eye and Ear Control Revisited

Read "New York Eye and Ear Control Revisited" reviewed by Mark Corroto

by Mark Corroto
August 10, 2021

The backstory of New York Ear and Eye Control is a significant factor in the music and the direction free jazz took in the 1960s. Filmmaker Michael Snow commissioned Albert Ayler's trio with bassist Gary Peacock and drummer Sunny Murray to record a thirty-minute soundtrack for a movie, “Walking Woman," he had yet to film. As explained in the liner notes, he “wanted to buy a half hour of music." Also invited to the session were trumpeter & cornetist Don ...