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John Vanore & Abstract Truth: Easter Island Suite
by Dan McClenaghan
The spirit of Oliver Nelson and the thousand ghosts of Easter Island loom large over John Vanore & Abstract Truth's Easter Island Suite. The Nelson side of the equation has its roots in trumpeter Vanore's attendance at a Nelson-directed summer program at Indiana University, which led him, as a student, into deeper explorations of Nelson's work, including 1961 classic Blues and the Abstract Truth (Impulse!). Hence, the name of his ensemble: John Vanore & Abstract Truth. As for Easter Island--the ...
Continue ReadingJohn Vanore & Abstract Truth: Easter Island Suite
by Jack Bowers
The first and last movements of Philadelphia-based trumpeter and composer John Vanore's epic Easter Island Suite were recorded thirty-five years apart, in 1989 and 2024, which says a lot about his determination to shepherd the ambitious enterprise to its conclusion. Movements 2 and 3 of the picturesque Suite were recorded in 2012. Even today, some three hundred years after it was first seen by Western eyes in the form of Dutch explorers led by Jacob Roggeveen, Easter Island, ...
Continue ReadingPaul Colombo Group: Mabrouka
by Dan McClenaghan
Guitarist Paul Colombo is blessed in his collaborative album, Mabrouka, with a group of imaginative and inspired sidemen, including, most notably, keyboardist Ron Thomas. This is Colombo's sophomore outing, following Rio Crystal (Vectordisc Records, 2021), and Thomas, bassist Andy Alonso and drummer Chris Loser make return appearances on Mabrouka. Add guest slots by flutist Tom Strohman and organist Andy Roberts, along with acoustic bassist Steve Meashey on six tunes. The set is tagged, accurately, as a “contemporary jazz ...
Continue ReadingPaul Colombo: Rio Crystal
by Chris M. Slawecki
Rio Crystal is the perfect title for this bright and clear, warm and sunny set led by guitarist Paul Colombo. Its frontline pairs Colombo's nimble guitar with keyboardist Ron Thomas, supported by bassist Andy Alonso and drummer Chris Loser, in a series of jazzy instrumental workouts. It's uncomplicated swing, and the emotional directness and honesty with which the principals play, turn Rio Crystal from jazz fusion into genuine (instrumental) soul music. The title track was the first tune ...
Continue ReadingPaul Colombo Group: Rio Crystal
by Dan McClenaghan
Paul Colombo's debut, Rio Crystal, comes about because his fellow guitarist, Pat Martino, released an album called Pat Martino/Live! (Muse Records, 1972). When Colombo heard Martino's sound, the then fifteen year old aspiring musician's path to jazz artistry came into focus. The keyboardist on Martino's 1972 LP was Ron Thomas, who played Fender Rhodes on Pat Martino/Live! He went on to become an adventurous and artistically successful--if somewhat underrecognized--jazz (and beyond) player in his own right, with the ...
Continue ReadingShining A Light On Pianist Ron Thomas
by Dan McClenaghan
Pianist / composer Ron Thomas (b. 1942), was introduced to the piano by his father, Buddy, a self-taught player who learned the art of the ivories by analyzing piano roll performances. Ron was, according to his biography, three or four years old at the time. Those early lessons took root, and then along came Marilyn Monroe. In 1957, Thomas had the good fortune to see The Seven Year Itch, a film that featured Monroe, and a soundtrack that included Sergei ...
Continue ReadingScenes From A Voyage To Arcturus
by Dan McClenaghan
Scottish writer David Lindsay published his A Voyage To Arcturus in 1920. It is said to have influenced everyone from C.S. Lewis in the writing of his Space Trilogy to J.R.R. Tolkien to Clive Barker. The story concerns a character Muskull and his fantastical journey across the planet Tormance that orbits the star Arcturus. And while the external landscapes encountered are surreal, so too are Muskill's inner landscapes, and the music. “Lindsay's fantasy eludes analysis," pianist/composer Ron Thomas ...
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