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Dave Slonaker Big Band: Convergency
by Troy Dostert
Composer/conductor Dave Slonaker probably won't qualify as “prolific," at least based on recorded output alone, as he spends a lot of his time behind the scenes in film and television work—but one must appreciate the level of craftsmanship that he brings to his big band projects. His debut release, Intrada (Origin Records, 2014), received a well-earned Grammy nomination, and his sophomore effort is no less accomplished, with the well-designed compositions and outstanding ensemble work that justify all the attention it ...
Continue ReadingJim Self: Hangin' Out
by Richard J Salvucci
One can be forgiven for not knowing a saxhorn from a saxophone, or, for that matter, whether a particular horn is a member of a certain family. Yes, there are aficionados (not to mention serious players) who can quite accurately describe the histories of the instruments, their lineages, and their peculiarities or idiosyncracies. Yet for many, it is difficult to distinguish a cornet from a trumpet. With a clever choice of mouthpiece, an adept instrumentalist can render them basically indistinguishable ...
Continue ReadingThe Jim Self / John Chiodini Duo: Hangin' Out
by Jack Bowers
Hangin' Out is the third album by the unlikely duo of Jim Self on tuba and John Chiodini on guitar. This time around, they hang out on five of the thirteen numbers with special guests--trombonist Scott Whitfield, tenor saxophonist Tom Peterson, baritone saxophonist David Angel and flugelhorn player Ron Stout, each of whom has a feature number before joining the leaders for a full-fledged jam on the lyrical finale, Johnny Burke/Jimmy Van Heusen's enduring standard, “It Could Happen to You," ...
Continue ReadingMatt Gordy: Be With Me
by Richard J Salvucci
There is an expression of high regard for playing, “in the tradition," which basically means, yeah, that is jazz, music of the highest order. Matt Gordy's “Be With Me" is particularly arresting because it is in the tradition, but neither a recreation nor an exercise in nostalgia. Everyone from Charlie Christian to Modern Jazz Quartet has played “Topsy" (1937) in one form or another. It lends itself to multiple blues changes and swing to boppish solos, all of ...
Continue ReadingThe Matt Gordy Jazz Tonite Sextet: Be With Me
by Jack Bowers
In 2006, drummer Matt Gordy heeded the mandate to “go west, young man," moving from Boston to Los Angeles, while he was still “young at heart," and quickly becoming a mainstay of the local scene, after years of success as a jazz and classical drummer in New England, and even with the Maracaibo, Venezuela, Symphony Orchestra, where he spent nine years as chief percussionist. After fifteen years gigging in Los Angeles, Gordy decided it was time to record his first ...
Continue ReadingMark Masters: Masters & Baron Meet Blanton & Webster
by Jack Bowers
It is an absolute pleasure to hear several of Duke Ellington & Billy Strayhorn's classic charts for Ellington's celebrated 1940-42 Blanton-Webster orchestra (named for a pair of its stars, bassist Jimmy Blanton and tenor saxophonist Ben Webster) adeptly rescored for a twenty-first century ensemble by the superlative arranger Mark Masters. And to ice the cake, the Masters ensemble welcomes to its ranks Art Baron, the last trombonist hired by Ellington, who anchored the plunger chair from 1973 until Ellington's death ...
Continue ReadingThe Steve Spiegl Big Band: The L.A. Sessions at Capitol Studios
by Jack Bowers
Almost every Monday morning for the past fifty years, composer-arranger Steve Spiegl convened his Los Angeles-based big band for a rehearsal session, assembling, for most of that time, at the Musicians Union in Hollywood and, more recently, at its new home in Burbank. When Spiegl decided in 2019 to pull up stakes and move northward to Oregon, which meant bidding a melancholy goodbye to the band and its weekly rehearsals, it marked the end of an era—but not without one ...
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