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Miles Davis: Stockholm Live 1967 & 1969 Revisited
by Maurizio Comandini
Stesso leader, Miles Davis; stessa strumentazione, tromba, sax, pianoforte, contrabbasso e batteria; stessa città, Stoccolma, ma in due sale diverse; due anni di distanza. Eppure questi due concerti sono abbastanza diversi fra di loro, anche se forse lo potrebbero essere stati ancora di più. Quello del 1967 vede il quintetto classico di Miles Davis registrato al culmine della sua parabola artistica, con una musica raffinata e potente allo tesso tempo, tecnicamente complessa eppure resa con grande scioltezza, proprio grazie alla ...
Continue ReadingTony Williams: Life Time & Spring Revisited
by Maurizio Comandini
Tony Williams è uno dei più importanti batteristi della storia. Non solo del jazz, ma della musica in generale. Solitamente questa considerazione, ampiamente condivisa, fa riferimento alla sua lunga esperienza come batterista dei quintetti di Miles Davis della seconda metà degli anni sessanta ed eventualmente al suo ruolo di leader del gruppo Tony Williams Lifetime nato nel 1969 e durato un paio d'anni. Due contesti di assoluta eccellenza che quindi giustificano il giudizio dal quale siamo partiti. Questa ottima ristampa ...
Continue ReadingRon Carter, Jack DeJohnette, Gonzalo Rubalcaba: Skyline
by Jim Worsley
Substantial yet serene, sophisticated yet soothing, Skyline oozes with the earthiness of New York City. Here, Ron Carter, Jack DeJohnette, and Gonzalo Rubalcaba merged their broad skills into an assemblage of erudite conversations, each package wrapped with beauty and delicate care. Of the many common threads heard in this collection, none could be more precious than time. Yes, of course, the trio had a wealth of rich pockets, but the reference is made to time of another nature. They were ...
Continue ReadingAnthony Williams: Life Time & Spring Revisited
by Chris May
Drummer Tony Williams' first two albums as leader, recorded for Blue Note in 1964 and 1965--Life Time when he was only eighteen years old, Spring when he was nineteen--still sound delightfully fresh all these years after their original release. At the time he made them, Williams was a rising star with Miles Davis' second and third quintets, the first a short-lived unit with saxophonist George Coleman, the second a longer lasting one with Wayne Shorter. One of ...
Continue ReadingGui Duvignau: Baden
by Dan Bilawsky
Gui Duvignau has had Baden Powell's sound in his sights for some time now. Born in France and raised in Brazil, the rising-star bassist delved deeply into that legendary Brazilian guitarist's work at the behest of several six-stringer friends. And as he studied guitar too, Duvignau came under the sway of Powell's advanced harmonic concepts, personalized technique and keen ability to skirt easy categorization by blending classical stylings, jazz sensibilities and a broad mixture of Brazilian traditions. Having then performed ...
Continue ReadingJoe Henderson: The Complete Joe Henderson Blue Note Studio Sessions
by Scott Gudell
If an artist stamps his jazz passport with any one of these labels--Blue Note, Verve, Milestone--it's pretty much a guarantee that you've arrived in style. Tenor saxophonist Joe Henderson has traveled with all three and more. The 2021 reissue from the prestigious Mosaic Records focuses on Henderson's 1960s tenure with Blue Note offers a new opportunity to experience an abundance of rich and creative jazz from the decade. Big band and bop were duking it out in the ...
Continue ReadingGerry Gibbs: Songs from My Father
by Edward Blanco
Drummer Gerry Gibbs pays tribute to father Terry Gibbs on the amazing nineteen-track double-CD set Songs from My Father featuring a guest appearance by the ninety-seven-year-old vibraphonist on one track, among other surprises, including the last studio performance by the late jazz icon Chick Corea, who also wrote “Tango for Terry" for this homage and is the only non-Gibbs composition on the album. Son Gerry had plenty of his father's music to choose from when contemplating this project but chose ...
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