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Ron Carter: An Evening With Ron Carter, Richard Galliano (Live At The Theaterstübchen, Kassel)
by Richard J Salvucci
The odds are that most readers are not intimately familiar with jazz accordion. Undoubtedly, that is because there are not very many of them; someone might list Art Van Damme, Tommy Gumina, Angelo di Pippo, and Mat Mathews, none of them a household name. The Franco-Italian Richard Galliano should probably hold contemporary pride of place among accordionists, although even he, remarkable a player that he is, will not move the needle much. That is not a good thing.Galliano ...
Continue ReadingNanny Assis: Rovanio
by Chris May
The Brazilian-born, New York City-based singer and composer Nanny Assis is a big talent with a low profile. His elegant blend of jazz and Brazilian music puts one in mind of another similarly inclined and relatively little known stylist, the Berlin-based composer and producer Meeco, well loved in this parish. The work of both musicians is caressing, lyrical and lush; the vibe is mostly sunny but there are dark corners. Assis and Meeco have arrived at the ...
Continue ReadingM. E. B.: That You Not Dare To Forget
by Doug Collette
With all due respect to Lettuce's A Tribute to Miles Davis--Witches Stew (Self Produced, 2017) and the all-star ensemble dubbed Bitches Brew Revisited, M.E.B. (formerly known as Miles Electric Band) is an inordinately creative homage to Miles Davis. And given the continually experimental path The “Man With The Horn" chose to follow throughout his career, it is no doubt one of which he would approve. That You Not Dare To Forget is a slightly less than half-hour audio ...
Continue ReadingRon Carter, Chris Botti, Rachel Therrien & Jack Mouse
by Joe Dimino
From a local Midwest legend, we begin the 794th Episode of Neon Jazz with drummer Jack Mouse. From there, we hear from his mentor and legend Clark Terry. We also hear new music from the likes of Eddie Coburn, Marina Pacowski, Rachel Therrien, Danielle Wertz and bassist Leon Lee Dorsey. For the first time, we profile trumpeter Chris Botti. Finally, we wrap all of it up with an old school tune from The Virginians. Keep on digging the jazz, my ...
Continue ReadingArchie Shepp: The Way Ahead, Kwanza, The Magic Of Ju-Ju Revisited
by Mark Corroto
Allow me to expand on a much restated quote from Albert Ayler: “Coltrane was The Father, Pharoah was The Son, and I was... The Holy Ghost." If we remain with the Christian iconography, that makes Archie Shepp, Simon Peter, or the Apostle Peter whom Jesus called the rock upon which he built his church. Christened by his tenure in the early 1960s with Cecil Taylor, Shepp was baptized into what we now call a modernist approach. In meeting Coltrane, a ...
Continue ReadingMiles Davis Quintets: Stockholm 1967 & 1969 Revisited
by Mark Corroto
Let me ask you, how many versions of Miles Davis do you recognize? Let us employ the word 'recognize' in terms of both, to identify and to approve. Listeners new to the world of Miles would be hard pressed to associate the artist seen and heard with Charlie Parker at New York's Three Deuces in 1947 with the same man performing in Montreux, Switzerland some forty years later. Both his look and his sound had changed, making him unrecognizable to ...
Continue ReadingArchie Shepp: The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited
by Chris May
2023 kicks off with the bangingest back-in-the-day bang from the Swiss-based ezz-thetics label, whose carefully curated and remastered 1960s sessions from Archie Shepp, Horace Silver, John Coltrane and Albert Ayler lit up the reissue calendar in 2022. Shepp's The Way Ahead, Kwanza, The Magic Of Ju-ju Revisited comes in at a whisker over seventy-nine minutes and includes all four tracks from The Way Ahead (Impulse!, 1968), two tracks from Kwanza (Impulse!, recorded 1969, released 1974) and the ...
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