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Elsa Nilsson: Liminal
by Mike Jurkovic
If, for just 52 minutes, one needs to step away from the breach, do not hesitate to push play on Liminal. A Brooklyn conceptualist by way of Sweden and Seattle, Andetag" (Swedish for breath") opens flautist/composer Elsa Nilsson's Liminal. But, all things considered, it could have been sequenced anywhere in the playlist given Nilsson's nod to late-night dance floors. Elusive, bluesy and a very danceable dance of equals, Band of Pulses--Nilsson, fellow piano arsonist Santiago Leibson, wiry bassist Marty Kenney ...
Continue Reading...Patricio Morales: La Tierra Canta
by Jack Bowers
While rhythm is definitely king on La Tierra Canta ("The Earth Sings"), the fifth recording by Chilean-born composer, arranger and classical guitarist Patricio Morales, it must share the throne with various handsome and radiant melodic and harmonic designs employed by Morales and his international septet. If Morales' name is unfamiliar, that could be because he has spent the last twenty-five years living and working in Switzerland. The playlist, Morales says, consists of nine hand-picked themes" that were written ...
Continue Reading...Patricio Morales: La Tierra Canta
by Richard J Salvucci
If it has been some time since you listened to Ralph Towner, like a few decades or so, it may not be immediately obvious what classical guitarist Patricio Morales is doing. It may not even be obvious that he is playing jazz, although, by Morales' own account, Towner was a mentor and huge influence when he first came to New York. Morales went on to study with Towner on the West Coast. He subsequently toured with him as well. Morales ...
Continue Reading...Randal Despommier: South
by Dan Bilawsky
Growing up in Metairie, Louisiana--a mere six miles from New Orleans--alto saxophonist Randal Despommier's formative experiences were rooted in the Crescent City's fertile sonic soil. A stone's throw away from the action, he was able to cut his teeth on the local scene(s) and put his horn to good use in Mardi Gras parades. In addition, and in some of those instances, he learned a great deal by watching and musically interacting with his father, Phil Despommier--a pupil of NOLA ...
Continue Reading...SXNE: For Human Beings
by Paul Rauch
Flutist Elsa Nilsson is a strong voice performing on an instrument that has historically received secondary status in jazz music. Often the second or third instrument for saxophonists such as Eric Dolphy, Charles Lloyd and Tia Fuller, it would seem even the most passionate fans of the genre have relegated the flute as such. Modern times in jazz have however, cast that notion aside. Flutists covering a wide musical swath through the annals of modern jazz include the eclectic sounds ...
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