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Robby Ameen: Live at the Poster Museum
by Jack Bowers
Unlike some drummer-led albums, wherein it is hard to determine who is actually piloting the ship, there are no doubts about who is in charge on Live at the Poster Museum--and that would be none other than Robby Ameen whose sharp and forceful timekeeping enlivens the heart and soul of every number, lending them a sizable measure of their exuberance and swagger. That is especially meaningful considering that Ameen is traveling in fast company, overseeing a burnished ...
Continue ReadingRobby Ameen: Live at the Poster Museum
by Paul Rauch
There are pluses and minuses to all recordings, the attributes stacking up like cordwood due to the virtuosity of the musicians, the compositional value of the tunes and the basic, primary aim of the leader. In this case, the leader, virtuoso drummer Robby Ameen, blurs the line between Afro-Caribbean rhythms and swinging post bop jazz. His music mentions in a way, that the divisions we may see between the different elements of the music that became modern jazz in New ...
Continue ReadingSanti Debriano & Arkestra Bembe: Ashanti
by Jack Bowers
Panama-born bassist Santi Debriano's Arkestra Bembe is a nonet whose centerpiece is the bembe music of west Africa. During the Coronavirus pandemic, Debriano began hosting weekly bembes (musical celebrations) in the basement of his Staten Island, New York home, gradually assembling a group of musicians who would comprise the Arkestra and perform Debriano's compositions and arrangements. The result is Ashanti, an impressive studio recording whose framework is jazz but whose heart and soul are clearly in bembe. ...
Continue ReadingConrad Herwig: The Latin Side of Horace Silver
by Jack Bowers
New York-based trombonist Conrad Herwig began exploring the “Latin side" of various jazz musicians in 1996, with The Latin Side of John Coltrane, which earned him the first of four Latin Grammy Award nominations. Since then, Herwig has done the same for Miles Davis, Wayne Shorter, Herbie Hancock, Joe Henderson and, now, pianist Horace Silver. The formula is trim and solid; choose several of an artist's more notable compositions and recast them in a rhythmic Latin framework. For The Latin ...
Continue ReadingRobby Ameen: Diluvio
by Jack Bowers
It's a given that wherever Grammy-winning drummer Robby Ameen goes, irrepressible rhythm is sure to follow. Diluvio, Ameen's third album as leader of his own ensemble, is clearly no exception to the rule. Ameen's half-dozen compositions are intrepid and lively, and even Gerry Mulligan's “Line for Lyons" and John Coltrane's “Impressions," which seal the album, are given bright rhythmic makeovers in keeping with the leader's metrical frame of mind. To lend color and variety, Ameen employs a ...
Continue ReadingRobby Ameen: Diluvio
by Dan Bilawsky
Perhaps it's a flood of rhythm that the title and cover art refer to on this third leader outing from drumming dynamo Robby Ameen. A heavy hitter in Afro-Cuban circles for decades, Ameen's frangible linear Latin funk workouts, intricate rhythmic roadmapping, song-serving chops and good taste have earned him an overwhelmingly positive reputation. Everybody from musical polymath Ruben Blades to flutist Dave Valentin and pianist Eddie Palmieri to trombonist Conrad Herwig has called on Ameen multiple times over the years, ...
Continue ReadingRobby Ameen: Days in the Life
by Raul d'Gama Rose
Robby Ameen is one of those first call percussionists who has been chafing at the bit to produce something all his own. Now he has his chance, with Days in the Life and he acquits himself with excellence. Things might have very well gone awry, as so often happens when self producing a first record. This, however, does not happen with Ameen, as he is careful to avoid the obvious at all costs. The percussionist is well known for his ...
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