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Jazz Articles about Reg Schwager
Diana Panton: Soft Winds And Roses
by Pierre Giroux
Diana Panton has long been an artist of quiet yet undeniable depth, uniquely transforming melodies into deeply personal narratives. On Soft Winds and Roses, she focuses on modern classics from the 1960s onward, drawing from the songbooks of Elton John, Burt Bacharach, Gordon Lightfoot, Lennon and McCartney, Leonard Cohen, and Joni Mitchell, among many others. In doing so, she creates an album that is both a journey through timeless compositions and a meditation on love's delicate arc, marked by hesitant ...
Continue ReadingMike McClelland Rm 210: You'll Hear It: The Music of Bob Fenton
by Pierre Giroux
The Mike McClelland Quartet in this release has adopted the title of Mike McClelland Rm 210, led by McClelland on drums and joined by a stellar trio of Toronto musicians, including Mike Murley on tenor and soprano saxophones, Reg Schwager on guitar, and bassist Neil Swainson. The band pays a heartfelt tribute to pianist and composer Bob Fenton with You'll Hear It-- The Music of Bob Fenton . Fenton left an indelible mark on the Toronto jazz scene, ...
Continue ReadingThe Schwager/Oliver Quintet: Senza Reza
by Edward Blanco
Canada became the first country beyond the USA to have developed its own vibrant jazz scene. What do major jazz artists like Oscar Peterson, Maynard Ferguson, Gil Evans, Rob McConnell and Diana Krall have in common? They're all Canadians, like the players of The Schwagger/Oliver Quintet presenting their debut on Senza Resa, an Italian phrase meaning “No Surrender," which conveys the approach to the music from five of Canada's most exciting award-winning jazz musicians. The album represents the ...
Continue ReadingRichard Whiteman: Very Well & Good
by Edward Blanco
One of the finest jazz musicians on the Canadian jazz scene, Toronto-based pianist / bassist Richard Whiteman lays down what he considers, perhaps, his best recording to date on the audacious Very Well & Good. A long established pianist for decades, Whiteman picked up the double bass in 2004 and has not put it down since. On this sparkling album the pianist performs on the double bass, leaving the keys to Amanda Tosoff, and presents nine of his best compositions ...
Continue ReadingDave Young Quartet: Ides Of March
by Mark Corroto
Maybe the finest compliment you can bestow on an individual in our COVID-19 times is that he/she is a solid citizen, someone who takes it upon themselves to protect others from the dangers of this horrible virus. What does this have to do with the music of bassist/bandleader Dave Young? First, it is fundamental that all great jazz is built upon the foundation of a timekeeping bassist. Second, as evidenced by Young's Ides Of March, his solid hand upon the ...
Continue ReadingMario Romano: The Journey So Far
by Edward Blanco
Argentinian-born, Canadian-based pianist Mario Romano delivers his fourth album as leader with The Journey So Far, essentially a compilation project that takes tracks from previously recorded albums and presents them in new light. A successful real-estate developer with a strong musical background, Romano spent most of his life building a business career and after achieving uncommon success, returned to jazz after 2010. He has since become an integral part of the Canadian jazz scene and has created a high-profile with ...
Continue ReadingPeter Campbell: Old Flames Never Die
by Dan Bilawsky
There's a “square peg, round hole" problem holding vocalist Peter Campbell back in the renown department. He doesn't fall into the resounding soul-stirrer category, à la Gregory Porter, the bop poet-philosopher niche, ruled by Kurt Elling, the pure experimentalist's camp, typified by Theo Bleckmann, the neo-soul realm, occupied by José James, the group-minded singer-songwriter space(s), elevated by artists like New York Voices' Peter Eldridge, or any number of other fairly clear-cut categories. The world of male vocalists is, perhaps, the ...
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