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Jazz Articles about Rachel Musson

8
Album Review

Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders: Ecliptic

Read "Ecliptic" reviewed by Mark Corroto


Some books are divided into chapters--numbered, titled, and carefully structured. The musical equivalent is the tracklist: segmented, labeled pieces presented in order. But Ecliptic by the trio Shifa (شفاء, Arabic for “healing") rejects that format entirely. This 46-minute set of improvised music by saxophonist Rachel Musson, pianist Pat Thomas and drummer Mark Sanders unfolds without titles, track divisions, or breaks. It is a single, uninterrupted performance recorded live at London's Café OTO in February 2023. Like their previous ...

9
Album Review

Olie Brice Quartet: All It Was

Read "All It Was" reviewed by Mark Corroto


Bassist Olie Brice wears the title of Mr. Inside/Mr. Outside with remarkable ease. Equally adept in free improvisation and structured composition, Brice moves fluidly between extremes. His work with improvisers such as Tobias Delius and Mark Sanders on Somersaults (Two Rivers, 2015), or with Paul Dunmall on The Laughing Stone (Confront, 2023), exemplifie his outside approach. Meanwhile, his release Fire Hills (West Hill, 2022), where he composed material for both trio and octet, showcases his talents on the more structured ...

3
Album Review

Olie Brice / Rachel Musson / Mark Sanders: Immense Blue

Read "Immense Blue" reviewed by John Sharpe


Even given today's abundance of new issues in whatever genre, there are still bands which travel beneath the radar. One such is the trio of established UK improvisers comprising bassist Olie Brice, saxophonist Rachel Musson and drummer Mark Sanders which releases Immense Blue as its debut album. As a unit it has been around for a while, but the connections go deeper still. Brice and Musson have a duet nearing fifteen years old, while the saxophonist and drummer are two ...

2
Album Review

Moss Freed / Union Division: Micromotives

Read "Micromotives" reviewed by John Sharpe


A question any composer for improvisers must face is whether they can create something more worthwhile than what they might come up with if left to themselves. It can be a tough call. For some, such as Alexander von Schlippenbach's Globe Unity Orchestra or Peter Brötzmann's Chicago Tentet, the ultimate conclusion was no, while for others such as Anthony Braxton and Barry Guy the answer has been far less clear cut. British guitarist Moss Freed falls somewhere between the two ...

6
Album Review

Rachel Musson: Dreamsing

Read "Dreamsing" reviewed by John Sharpe


If the solo album is a rite of passage for a woodwind player, then adventurous British saxophonist Rachel Musson passes with flying colors. Musson has found a mentor in 577 Records label boss Federico Ughi, a collaborator during his sojourn in London in the early 2000s. Consequently, the imprint has issued a stream of strong releases showcasing her talents, including Shifa -Live At Cafe Oto (2019) and Shifa -Live In Oslo (2020) with the titular collective completed by pianist Pat ...

2
Album Review

Alexander Hawkins: Togetherness Music (For Sixteen Musicians)

Read "Togetherness Music (For Sixteen Musicians)" reviewed by Giuseppe Segala


Con questo lavoro, Alexander Hawkins aggiunge una tessera significativa al proprio originale percorso artistico, qui in particolare nella dialettica tra improvvisazione e musica scritta, dimostrando una maturazione consapevole e in costante sviluppo. Attento, curioso, audace, guidato da un sicuro istinto e da lucidità progettuale, il pianista di Oxford rappresenta la punta di diamante della propria generazione, quella sulla soglia dei quarant'anni. Il suo itinerario e la sua personalità sono in grado di confrontarsi e interagire efficacemente con i grandi protagonisti ...

8
Album Review

Alexander Hawkins Feat. Evan Parker + Riot Ensemble: Togetherness Music (For Sixteen Musicians)

Read "Togetherness Music (For Sixteen Musicians)" reviewed by Mark Corroto


It is obvious from the outset that this is a significant recording. Evan Parker launches into his trademark soprano saxophone circular breathing, setting the stage for things to come. An exemplar of all things free improvisation, his virtuosity never fails to amaze. Although Parker is the marquee soloist here, the composer and organizer of this session, Alexander Hawkins, created the six movements of this suite to pioneer an intersection between free improvisation and contemporary chamber music. Certainly not an easy ...


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