Jazz Articles about Peter Washington

About Peter Washington

Liner Notes

From Kid Ory to Roswell Rudd, the role of the trombone has changed dramatically over the brief span of jazz history, as we know it. Whether it be keeping a beat via the style of “tailgating," exploring a multitude of textural possibilities through the challenges of the avant-garde, or working somewhere in that middle ground that we call mainstream jazz, the instrument has remained a highly expressive vehicle for communication within the idiom. It's somewhat surprising then that a fairly ...

Album Review

Mike LeDonne: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Mike Jurkovic

by Mike Jurkovic
February 18, 2023

Homing in on the electric, ancestral vibe of Rudy Van Gelder's house of musical myth and magic in Englewood Cliffs, New Jersey, the Heavy Hitters, spearheaded by journeyman pianist Mike LeDonne and well-traveled saxophonist, Eric Alexander, approach this eponymous debut with a ballsy, brassy, big sounding blueprint which carries through the entire recording. In deciding who best to share Van Gelder's hallowed space with, LeDonne and Alexander brought in the big guns--namely trumpeter Jeremy Pelt, alto saxophonist Vincent ...

Album Review

Mike LeDonne: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Pierre Giroux

by Pierre Giroux
February 16, 2023

There was a period back in the middle years of the 20th Century and beyond when All-Star Groups were quite common, including the Buck Clayton All-Stars, Howard Rumsey's Lighthouse All-Stars, and Gene Harris and the Phillip Morris Superband among several other similar aggregations. In today's musical environment, this kind of coming together of high profile musicians is exceedingly rare, primarily driven by cost issues, although availability of the musicians is also a limiting factor. Pianist & organist Mike LeDonne was ...

Album Review

The Heavy Hitters: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Jack Bowers

by Jack Bowers
February 10, 2023

The Heavy Hitters. Hyperbole? A matter of fact? Or simply the name given by co-leaders Mike LeDonne and Eric Alexander to their newly minted sextet. The third statement is true--but so is the second. From pianist LeDonne and tenor saxophonist Alexander to fellow front-liners Jeremy Pelt (trumpet) and Vincent Herring (alto sax) and the Washingtons, Peter on bass and Kenny at the drums, these gentlemen are by any measure heavy hitters. Their first album as a unit ...

Liner Notes

Jim Snidero: Far Far Away

by Dan Bilawsky
February 7, 2023

Far Far Away brings us ever so close to the genius of Jim Snidero. An incandescent affair built upon the pillars of new partnership and continuing collaboration, it showcases a marked consistency in craftsmanship and inventiveness that leaves no doubt as to this artist's place in the jazz firmament. Of course, seasoned listeners need no reminders about his elevated status. The vaunted alto saxophonist has been delivering dynamic performances as a leader on record for the better part of four ...

Album Review

The Heavy Hitters: Heavy Hitters

Read "Heavy Hitters" reviewed by Troy Dostert

by Troy Dostert
February 6, 2023

The self-titled debut from the Heavy Hitters, pianist Mike LeDonne's latest sextet, has the feel of a tribute album. However, unlike most recordings of that nature, there is no classic repertoire present, as all nine tracks are penned either by LeDonne or his colleague, tenor saxophonist Eric Alexander. Instead, it is a tribute to a sound that LeDonne and partners are aiming for: in this case, that of the iconic Blue Note label's 1950s-60s period, when artists such as Freddie ...

Album Review

Jesse Davis: Live at Smalls Jazz Club

Read "Live at Smalls Jazz Club" reviewed by Jack Bowers

by Jack Bowers
January 31, 2023

Alto saxophone master Sonny Stitt always chafed when he was called “little Bird," a reference to the greatest alto of them all, Charlie Parker. “I'm not a little Bird," he would say, “I'm me; Sonny Stitt." In similar fashion, Jesse Davis would probably shrug off any comparison to another of the instrument's esteemed patriarchs, the late Julian Cannonball" Adderley. Even so, such a connection is hardly misplaced. To some ears, Davis is the nearest thing to Cannonball since...well, Cannonball himself. ...