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Jazz Articles about Peter Bernstein

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Album Review

Peter Bernstein: Let Loose

Read "Let Loose" reviewed by C. Andrew Hovan


When it comes to guitarists of his generation, Peter Bernstein stands head and shoulders above the crowd. His tone and melodic approach are so recognizable as to be detected in a just a few bars. Since 1989, he has been the go-to guitarist in New York City and has literally graced hundreds of recordings. Bernstein has also issued about a dozen of his own albums over the last twenty-five years, done in various formats for a variety of small labels. ...

Live Review

Peter Bernstein Quartet al Teatro Franco Parenti di Milano

Read "Peter Bernstein Quartet al Teatro Franco Parenti di Milano" reviewed by Claudio Bonomi


Peter Bernstein Quartet Rassegna “Jazz al Parenti" Teatro Franco Parenti Milano 22.03.2015 Il secondo appuntamento di Jazz al Parenti, nuova rassegna milanese dedicata al jazz curata da Gianni Morelenbaum Gualberto (direttore artistico anche di Aperitivo in Concerto, manifestazione che si tiene invece al Teatro Manzoni da 30 anni), ha avuto come protagonista il chitarrista newyorchese Peter Bernstein, classe 1967, affiancato da Sam Yahel al piano, Omer Avital al contrabbasso e ...

5
Live Review

Peter Bernstein, Larry Goldings, Bill Stewart at The Sugar Club, Dublin

Read "Peter Bernstein, Larry Goldings, Bill Stewart at The Sugar Club, Dublin" reviewed by Ian Patterson


Peter Bernstein, Larry Goldings, Bill Stewart The Sugar Club Dublin Ireland December 11 2013 The healthy queue outside The Sugar Club--a mixture of oldies, professional musicians and music students from Dublin's Newpark Music Centre--was testament to the enduring appeal and influence of one of jazz's longest running trios. It had been a dozen years since guitarist Peter Bernstein, drummer Bill Stewart and organist Larry Goldings last played in Dublin so there was a ...

9
Interview

Talking Jazz Guitar With Peter Bernstein and Jimmy Bruno

Read "Talking Jazz Guitar With Peter Bernstein and Jimmy Bruno" reviewed by Scott Krane


For many years Les Paul held a regular concert at the Iridium Jazz Club in Manhattan on Monday nights. After his death in 2009, others who are loosely considered to be in the same genre as Les Paul's jazz trio have performed the traditional gig at the Iridium. On Monday, July 8, on the eve of his day of birth, the Les Paul trio (Lou Pallo on solid-body electric guitar, Nicki Parrott on bass and John Colianni on ...

Album Review

"Killer" Ray Appleton: Naptown Legacy

Read "Naptown Legacy" reviewed by AAJ Italy Staff


Quanti batteristi vorrebbero un'adolescenza come quella di “Killer" Ray Appleton? Nato a Indianapolis nel 1941, ha iniziato a suonare le percussioni a nove anni, formandosi in quella fervida scena musicale accanto a Freddie Hubbard, James Spaulding, Melvin Rhyne, Larry Ridley e altri protagonisti dell'hard-bop anni cinquanta. In quel periodo Indianapolis era uno dei centri propulsivi del jazz moderno: da lì sono venuti Wes e Buddy Montgomery, J.J. Johnson, Slide Hampton, Pookie Johnson e molti altri strumentisti, che hanno contribuito a ...

232
Album Review

Peter Bernstein: Live at Smalls

Read "Live at Smalls" reviewed by William Carey


A live recording from an intimate venue--in this case, the well-respected Greenwich Village club, Smalls--is like comfort food.. Live at Smalls, from guitarist Peter Bernstein, doesn't disappoint, starting off with a blues to welcome everyone in, with solid solo turns from all members of the quartet, also including pianist Richard Wyands, bassist John Webber and drummer Jimmy Cobb. Yes, Jimmy Cobb on drums. Not your average, everyday sideman. These performances come from two nights in 2008 (December ...

404
Album Review

Peter Bernstein: Peter Bernstein Quartet, Live at Smalls

Read "Peter Bernstein Quartet, Live at Smalls" reviewed by Laurel Gross


Peter Bernstein is one of the most pleasing and accomplished guitarists around, a must-hear, go-see for fans of straight-ahead jazz with a fresh, of-the-moment feel. A fixture on the New York scene and beyond, Bernstein deserves to be even better-known for his intricately beautiful melodic lines, harmonic sophistication, spot-on improvisation and good taste. Mentored early on by Jim Hall, Bernstein's never been a screamer. He plays quietly and intensely, with confidence, intelligence, elegance and rare sensitivity--all amply ...


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