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Orrin Evans and the Captain Black Big Band: Walk A Mile In My Shoe
by Steve Plever
A glance through the track list--with covers of Stevie Wonder and Marvin Gaye and two swing-era vocal standards--could give you the wrong impression. Yes, this is a very accessible and soulful album, but it is serious and heartfelt jazz, with Orrin Evans' personal stamp making it work. Blues, soul and gospel sounds share the stage here with swing, straight-ahead and avant-garde influences--no surprise given Evans' decade of playing with the Mingus Big Band. Evans' piano sets the tone ...
Continue ReadingOrrin Evans and the Captain Black Big Band: Walk A Mile In My Shoe
by Angelo Leonardi
Il nuovo disco di Orrin Evans e della sua Captain Black Big Band ci ricorda l'importanza delle radici per la comunità musicale afroamericana: il gospel, il blues, le big band, i cantanti e strumentisti storici. Una risorsa che è anche identità collettiva e forza culturale. Come ha sempre fatto in passato, il pianista e bandleader di Philadelphia s'ispira alla tradizione per rinnovarla e arricchirla, con passione e freschezza. Stavolta le orchestrazioni sono funzionali alle interpretazioni di quattro prodigiosi ...
Continue ReadingC. Michael Bailey Best Recordings of 2022
by C. Michael Bailey
This best-releases-of-the-year article does not reflect all of the music that I have listened to in the past year, rather I restrict myself to only the music that I have reviewed, with one exception: the Waiting For Columbus Super Deluxe Edition for which I have pined away for 40 years. I leave you in the gentle hands of Mike Jacobs for that. Happy Holidays, Pilgrims. You are in the right place. Paul Jost While We Were Gone ...
Continue ReadingMore Than 3 Tenors
by H William Stine
They were superstars on their own, iconic names who didn't need first names: Carreras, Domingo, Pavarotti. The world loved them; and they loved the world -sometimes a little too literary. When they agreed to sing together, they went from superstars to superheroes: The Three Tenors. Three? Really? That's all it takes to be adored? I can do better—much better than that! Let the adoration flow because I presented “More Than Three Tenors" this week. Of course, I meant, tenor sax ...
Continue ReadingJanuary 2022: While We Were Gone
by C. Michael Bailey
Cecilia Bartoli Unreleased Decca Records 2021 A pandemic-age benefit is the marketing of unreleased past projects. Mezzo-soprano Cecilia Bartoli's Unreleased is such a project, having been recorded in 2013 and subsequently shelved. The program emanates from the center of the Classical period, well presented by Kammerorchester Basel under conductor Muhai Tang. The recording opens with a muscular performance of Beethoven's “Ah, perfido!," which anticipated the composer's lone opera, Fidelio and its heroine, Leonore. Also ...
Continue ReadingPaul Jost: While We Were Gone
by Richard J Salvucci
According to Francis Bacon, some books are to be tasted and others to be swallowed whole. Likewise with recordings. Some are to be sampled. Others are to be thoroughly assimilated. Where the listener lands with Paul Jost will depend on a host of things. Are you political? If so, are you progressive? Then by all means, this recording is for you. Jost's soliloquy, “January 6th: An Appeal for Reason" will no doubt be convincing. If your politics are ...
Continue ReadingCathy Segal-Garcia: Social Anthems, Volume 1
by Troy Dostert
Proving there is still some life in the spirit of '60s activism—and even in the decades beyond it—vocalist Cathy Segal-Garcia gives us six tracks which meld jazz, folk and pop idioms in a way which sounds both classic and contemporary. Drawing on the talents of a fine band and a couple of intriguing guest vocalists, Segal-Garcia delivers these tunes with confidence and a winsome disposition. Aside from the self-penned “What Are We Gonna Do," a zesty folk-based tune, ...
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