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Jazz Articles about Norma Winstone


About Norma Winstone

8

Album Review

Norma Winstone: Edge of Time

Read "Edge of Time" reviewed by Roger Farbey

by Roger Farbey

This reissue features many of the most significant musicians in British jazz of the late 1960s and 70s. It also benefits from imaginative compositions and arrangements by John Taylor, John Warren, Neil Ardley, John Surman and Norma Winstone herself. The opening, title track written by Taylor and Winstone is a memorable exploration of both arrangement and improvisation in equal measure. A tentative beginning gives way to a dynamic brass arrangement accompanying a lyrical song, Winstone's voice ...

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Album Review

Norma Winstone - Klaus Gesing - Glauco Venier: Stories Yet to Tell

Read "Stories Yet to Tell" reviewed by AAJ Italy Staff

by AAJ Italy Staff

A due anni da Distances, torna il trio di Norma Winstone, con Glauco Venier al pianoforte e Klaus Gesing alle ance. Il lavoro è una naturale continuazione del precedente, del quale conserva non solo atmosfere e sonorità, ma anche sostanzialmente il repertorio: i testi sono quasi senza eccezioni della Winstone, le musiche in parte originali (di Gesing o Venier), in parte omaggi (a Shorter, Manzanero, Schneider), in parte escursioni nello spazio e nel tempo: l'armeno Komitas, il cinquecentesco Mainerio (che ...

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503

Album Review

Norma Winstone: Stories Yet to Tell

Read "Stories Yet to Tell" reviewed by John Kelman

by John Kelman

Distances (ECM, 2008) wasn't British vocalist Norma Winstone's first release to feature her current trio of reedman Klaus Gesing and pianist Glauco Venier, but with ECM Records' greater exposure and reputation, it was the first to reach a broader international audience. With Distance a largely lyric-based alternative to Winstone's always lovely wordless vocals on Chamber Music (Universal, 2004), Stories Yet to Tell is a worthy successor to both, with even greater emphasis on Winstone the lyricist--she contributes to eight of ...

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1

Album Review

Mike Taylor: Remembered

Read "Remembered" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Non si può certo dire che il pianista inglese Mike Taylor sia stato un abitante fortunato del nostro pianeta. Pur godendo di grande considerazione fra i suoi colleghi inglesi (da Jon Hiseman a Jack Bruce, da Ginger Baker a Dave Gelly) a metà degli anni sessanta, quando il jazz era ancora ben distinto dal rock, pur avendo pubblicato due album (da anni praticamente introvabili) e pur avendo scritto tre brani assieme a Ginger Baker che poi li portò al successo ...

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188

Album Review

Norma Winstone: Distances

Read "Distances" reviewed by C. Michael Bailey

by C. Michael Bailey

Practice brings one closer to perfection. British singer Norma Winstone has enjoyed a very prolific 35-plus year career that has been divided among a number of recording labels. Her recordings with John Taylor and Kenny Wheeler in the form of the group Azimuth brought her international exposure and recognition. These formats were the unusual combination of voice, piano, and either horn or reeds. This spare instrumentation and arrangement qualifies what Winstone does as chamber jazz.

On her first ECM release ...

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381

Live Review

Norma Winstone, Glauco Venier and Klaus Gesing at Joe's Pub

Read "Norma Winstone, Glauco Venier and Klaus Gesing at Joe's Pub" reviewed by Budd Kopman

by Budd Kopman

Norma Winstone at Joe's Pub, NYCJoe's PubNew York City, New YorkJune 26, 2008 Vocalist Norma Winstone came to Joe's Pub for two sets with her new trio composed of pianist Glauco Venier and reedman Klaus Gesing, supporting her release on ECM, Distances (2008). In front of a packed, enthusiastic, early-set house, the trio gave a mesmerizing performance that highlighted their strength as a unit, as well as each player's unique musical identity.

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1

Album Review

Norma Winstone: Distances

Read "Distances" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Dopo Chamber Music, uscito alcuni anni fa per la Universal, Norma Winstone, Glauco Venier e Klaus Gesing tornano a registrare assieme, stavolta per ECM, un lavoro eclettico per scelta di brani, ma assai unitario per interpretazione. La “chamber music” è senz’altro il tratto caratteristico di questo Distances, che vede la voce certo poco jazzistica della Winstone affiancata dal piano post-classico di Venier e dalle ance liberamente espressive di Gesing. Affrontare in questo modo standard come “Every Time We Say Goodbye” ...

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