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Jazz Articles about Nina Simone

505
Film Review

Jazz Icons Series 3: Nina Simone Live in '65 and '68

Read "Jazz Icons Series 3: Nina Simone Live in '65 and '68" reviewed by C. Michael Bailey


Nina SimoneJazz Icons Series 3: Live in '65 and '68 Jazz Icons 2008

Savage Dignity. Nina Simone is singular among jazz musicians. She had a vocal delivery that was more Charlie Patton than, say, Shirley Horn. Her cover of Bob Dylan's “The Ballad of Hollis Brown," presented on Jazz Icons Series 3: Nina Simone Live in '65 and '68, is a microcosm of Simone's performance style: kinetic, forceful, and emotionally intense to ...

418
Album Review

Nina Simone: To Be Free: The Nina Simone Story

Read "To Be Free: The Nina Simone Story" reviewed by Tom Greenland


There was only one Nina Simone, an original and highly imaginative artist whose style embodied a wide range of influences from musical Americana and beyond. To Be Free: The Nina Simone Story (three CDs and a DVD) is a fine boxed set overview of her career, emphasizing the live performances where she was most in her element. Culling material from her Bethlehem, Colpix, Philips, RCA, PM, CTI and Elektra recordings, To Be Free is the most comprehensive and wide-ranging of ...

652
Profile

Nina Simone: High Priestess of Soul

Read "Nina Simone: High Priestess of Soul" reviewed by Shannon J. Effinger


“I insist on being not one of your clowns, but one of you," she commands of her French audience early on in her performance. When Nina Simone walks out onto the stage, the first word that comes to mind is: regal. “I am a queen," she proudly announces. Her black wrap dress is simple and minimalist. Her silver necklace, a gift from a man who lives in Greece, is modest and beautiful--she pulls attention towards it on more than one ...

211
Album Review

Nina Simone: Remixed & Reimagined

Read "Remixed & Reimagined" reviewed by Jim Santella


Mixing any recording can be an adventure. Most popular dance club music varies greatly from what the individual artist laid down. With nearly all recorded music, however, the featured artist has an opportunity to listen to and approve the final mix. The objective is to make the artist sound his or her very best. Through a lot of hard work, this usually works out fine.

This Legacy release of Nina Simone's work keeps her voice and her music ...

380
Multiple Reviews

Nina Simone: From Cathouse Blues to Mississippi Goddam

Read "Nina Simone: From Cathouse Blues to Mississippi Goddam" reviewed by Andrew Velez


Four fine albums, covering the mid 1960s through 1980, which hopefully will introduce a new generation to the high priestess of soul, Nina Simone, and the great dark beauty of her music. Simone's existing devotees won't need any prompting.

Nina Simone The Soul Of Nina Simone RCA/Legacy 2005

The Soul Of Nina Simone is drawn mostly from the mid to late 1960s, when Simone's emotionally charged performances were often ...

706
From the Inside Out

Nina Simone Speaks Like a River

Read "Nina Simone Speaks Like a River" reviewed by Chris M. Slawecki


“Anything human can be felt through music, which means that there is no limit to the creating that can be done with music. It's infinite. It's like God, you know?"

~ Nina Simone, DownBeat interview, 1969  

With the January 17 unveiling of several titles from her back catalog, re-mastered and re-annotated and supplemented with bonus tracks, plus The Soul of Nina Simone CD / DVD dual disc released this past September, the music industry may ...

445
Album Review

Nina Simone: Silk and Soul

Read "Silk and Soul" reviewed by Jim Santella


Originally released in 1967 as an LP, Silk and Soul followed Nina Simone's blues album by combining pop songs with soulful musical statements that included strong threads from gospel and blues. Two bonus tracks are included, both originally released as singles in '69.

Pianist Billy Taylor wrote one of the keystone selections for this album, “I Wish I Knew How it Would Feel to be Free. It's a spiritual piece that opens the door for Simone's crusade against ...


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